Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
MEMORIALS, All Clouds Bring Not Rain
The genre-hopping fifth LP from Verity Susman and Matthew Simms is more ornate and ambitious than their earlier material, though ultimately the whole is lesser than the sum of the parts.
Filth Is Eternal, Impossible World
Vibrant, dexterous, and unrelentingly compelling, the Seattle hardcore-punks’ fourth album sees them mature into a band adept at writing songs lasting more than two minutes.
Arlo Parks, Ambiguous Desire
Vulnerability is baked into the heartbeat of the British songwriter’s third album with an aching groove lifted to new levels courtesy of the ecstasy of dance music.
Mike LeSuer
The LA rapper and multi-instrumentalist’s new album is available on Bandcamp today via POW Recordings.
The Richmond rapper on his new album “For My Mama and Anyone Who Look Like Her” and the pitfalls of genre.
Hannah D‘Amato answers some of our burning questions about the Oakland rockers’ recent self-titled debut (and milk).
You can listen to “Everything Pale Blue” in full ahead of its Friday release via Orindal Records.
The LA-based songwriter is sharing a video for the track from his newly released “Keep Trying” EP.
The month’s most discourse-worthy singles, according to our Senior Editor.
The artist shares how the expansive set of songs featuring Mac DeMarco, Cola Boyy, and more came together.
The New Orleans–based duo’s latest LP, “I Could Only See Night,” is out now.
It’s the second track Bauer’s released this year via his label Fortune Tellers.
With news of a second Trust Records pressing of their seminal 1980 debut album “Group Sex,” Morris tells us what he was jamming in the early ’80s.
It’s the second track released from the Beijing group’s forthcoming “Phantom Rhythm Remixed.”
It’s the latest single from the Chicago group’s self-titled final album.
The songwriter’s Epitaph debut “Sucker Supreme” arrives this Friday.
The industrial Toronto duo’s fifth album arrives this fall via Felte.
With his Captured Tracks debut “Some Days” out today, Jeremy Haywood-Smith shares a playlist of some of his favorite tracks by Winnipeg peers.
The songwriter walks us through his debut album—which drops today—track by track.
The second single from “Bowling” is dedicated to the TV show that continues to inspire Joseph Flores.
Matt Berry’s single and B-sides collection “Throne of Ivory” drops tomorrow via Run for Cover.
Peter Brewis compiles 11 tracks he’s come around to since he first heard them around the house as a kid.
Autosave-File vom d-lab2/3 der AgfaPhoto GmbH
“Holidays Inside” arrives June 25.
