Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Olivia Rodrigo, You Seem Pretty Sad for a Girl So in Love
Teetering between the influences of ’80s new wave and ’90s alt-rock, the pop star’s third album is a journey from jubilant lovesickness to a fatalistic collapse into romantic decay.
Goose, Big Modern!
At once their most even-keeled and explosively hook-crowded album yet, the jam-grinding ensemble’s latest is a stretch toward something uniquely slick and end-timey.
Kelsey Lu, So Help Me God
On their second LP, Lu taps Jack Antonoff and Yves Rothman to co-produce a fascinating tapestry of pop, R&B, electronica, classical, folk, and everything avant-garde in between.
Mike LeSuer
The Winnipeg-based noise-punks’ latest LP “Quitter” arrives October 15.
The single arrives ahead of Troper’s newly revealed 28-track album “Dilettante,” out October 15.
The West Coast garage punk enlists members of Dávila 666 and Crocodiles for her latest track.
The West Coast punks’ latest record dropped last week via Lauren Records.
Produced by Torche’s Jon Nuñez, the Miami punks’ latest release drops November 19.
The title track from the Toronto psych-rockers arrives today with a hazy visual directed by Colby Richardson.
Vocalist Ryan Savitski reflects on each track on the LP, out now via Run for Cover.
With their band’s debut album arriving this week, Alexandria Maniak shares a playlist of the circa-2016 emo that gave the project its legs.
The NYC-based punk ensemble’s latest project arrives November 5 via Ramp Local.
“Mouth Full of Glass” officially drops this Friday via Orindal Records.
With his new LP “PICTURA DE IPSE: Musique Directe” out now, the experimental musician made a playlist of his favorite tracks by French and Québécois artists.
The Chicago-based punks are also premiering a visual for their track “Sterilizer.”
Wareham channels Michael Rother and Pete Hook on the latest single from “I Have Nothing to Say to the Mayor of L.A.,” out October 15.
Chelsea Wolfe
The three-night industrial and new wave festival will kick off November 26 at Downtown LA’s Belasco theater.
The Montreal-based songwriter’s new album “Hang Time” arrives November 12 via Joyful Noise and Forward Music Group.
The amorphous second album from the rap group focuses on unease-ambient soundscapes that swallow the vocals into the soundtrack.
With her band’s latest LP “Walkman” dropping this week, Kerry Alexander shares a playlist fit for your portable music player.
Leah Wellbaum’s latest album is out now via Dangerbird Records.
Michael Hansford’s latest slowcore LP is out now through Terrible Records.
With “Comfort to Me” out this week, the Australian group shared some songs that, yeah, have very little to do with that.
