Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Alex Cameron, Late to Set
The Australian artist’s fifth album houses some of his most brooding songs to date, a mood that strangely sharpens his songwriting without sacrificing his melodic sensibility.
Rome Streetz, Sock It 2 My Pocket
Over a rich tapestry of East Coast production styles, the Queens-reared emcee’s latest thrives in the space between Griselda-era boom-bap and the grimey hue of ’90s NYC drum loops.
Steve Lacy, Oh Yeah?
With a warmer, looser take on anthemic soul-pop, the guitarist and songwriter’s third solo effort sees him move way beyond the reach of The Internet.
Mischa Pearlman
Photos Cesar Vera and Xavier Tavera
Victims of the Trump administration’s attack on the Smithsonian’s “anti-American” collections, the artists—along with Galindo’s wife Andrea Arroyo, whose artwork was targeted during Trump’s first term—speak to the power their art holds.
The pop star’s third record sounds like it was made by someone whose ideas are still in transition rather than by someone who’s reached the edenic destination alluded to in its title.
Ahead of this weekend’s event at the Hollywood Bowl featuring Beck, Devo, Jenny Lewis, Jim James, Karen O, and many more, the Bowl’s VP of programming shares how it all came together.
It’s the latest taste of his new album, Oh Yeah?>, which also features Erykah Badu and Cecile Believe.
The updated track arrives ahead of his Ride Lonesome Tour this fall.
The star-studded song is Bridgers’ first new material since 2022.
A portion of ticket sales will benefit The Trevor Project, the leading suicide prevention and crisis intervention nonprofit for LGBTQ+ youth.
The immersive experience takes over Brooklyn’s Agger Fish Building from September 1 through 28.
The album will be released on September 25 via Partisan.
Pylon arrives September 18 via Dirty Hit/Interscope.
The record will be released on August 14 via Dead Oceans
The track is the English musician’s first new music in three years.
The album arrives August 28 via ATO Records; hear the lead single “Come Again” now.
Mannequin Pussy
The two rising bands have announced a co-headline tour starting October 30
The record comes out on Matador on September 11, and is preceded by first single, “Billy Came Back.”
The EP will be released on July 10 via RCA Records
Olivia Rodrigo
The non-profit event on August 29 in Irvine, CA will also include Stevie Nicks, Garbage, Die Spitz, The Breeders, Not For Radio, and Karen O.
UK post-punks Joe Hicklin and Callum Moloney discuss their honest approach to politics and how they crafted their new EP O’Joy! out of outtakes from their first two records.
Produced by Jawbox’s J. Robbins and featuring songs written by MCR’s Frank Iero, the post-hardcore band’s third album since reuniting sees them firing on all cylinders from start to end.
The NYC duo return to their DIY roots on their creatively unbridled second LP, turning a highly unusual concept into something rather heartfelt and wonkily majestic.
