Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
The Tubs, Hard Life
With its well-curated influences and almost uncomfortably human lyrics, the London jangle-punk quartet’s third LP finds charm and combustible energy in its intersection of bleakness and pep.
Pixies, Bossanova [2026 Remaster]
This newly manicured version of the alt-rockers’ ersatz-divisive 1990 LP is so well-executed from start to finish that it’s impossible to forget that you’re not listening to the original version.
Ezra Collective, Here Because of Hope
The UK jazz quintet are determined to heal while acknowledging pain on their soulful fourth LP of deeply jubilant, genre-bending, and compassionate odes to the enduring power of hope.
Mischa Pearlman
The band’s frontman takes us through the winding passages of their grief-stricken LP An Eraser and a Maze after an initial meeting around 2021’s The Golden Casket ran well off-course.
The Blood Brothers’ Johnny Whitney and Cody Votolato discuss Terraform the Afterlife, the debut LP from their new supergroup additionally featuring members of OFF! and Glassjaw.
With a muted sense of emotional gravitas, Ella Williams’ fourth album strives for the heavens, but runs out of steam halfway there.
A deceptively heavy record behind its jaunty melodies and catchy choruses, the Colorado punks’ second LP is a cold shower that makes you feel fully alive.
Photos Cesar Vera and Xavier Tavera
Victims of the Trump administration’s attack on the Smithsonian’s “anti-American” collections, the artists—along with Galindo’s wife Andrea Arroyo, whose artwork was targeted during Trump’s first term—speak to the power their art holds.
The pop star’s third record sounds like it was made by someone whose ideas are still in transition rather than by someone who’s reached the edenic destination alluded to in its title.
Ahead of this weekend’s event at the Hollywood Bowl featuring Beck, Devo, Jenny Lewis, Jim James, Karen O, and many more, the Bowl’s VP of programming shares how it all came together.
It’s the latest taste of his new album, Oh Yeah?>, which also features Erykah Badu and Cecile Believe.
The updated track arrives ahead of his Ride Lonesome Tour this fall.
The star-studded song is Bridgers’ first new material since 2022.
A portion of ticket sales will benefit The Trevor Project, the leading suicide prevention and crisis intervention nonprofit for LGBTQ+ youth.
The immersive experience takes over Brooklyn’s Agger Fish Building from September 1 through 28.
The album will be released on September 25 via Partisan.
Pylon arrives September 18 via Dirty Hit/Interscope.
The record will be released on August 14 via Dead Oceans
The track is the English musician’s first new music in three years.
The album arrives August 28 via ATO Records; hear the lead single “Come Again” now.
Mannequin Pussy
The two rising bands have announced a co-headline tour starting October 30
The record comes out on Matador on September 11, and is preceded by first single, “Billy Came Back.”
The EP will be released on July 10 via RCA Records
