With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Rhys Langston, Pale Black Negative
The LA-based artist’s most comprehensive foray into genre abolition yet is a whirlwind of artistic exploration that sees the songwriter coloring well outside of hip-hop’s lines.

Subsonic Eye, Singapore Dreaming
The Singaporean indie rockers’ jangly fifth record proselytizes the beauty of the natural world, providing hope with deliriously catchy tunes that channel ’90s groups like Superchunk and GBV.

King Gizzard & the Lizard Wizard, Phantom Island
The Australian band’s growing comfort performing with orchestra musicians results in a bolder, brighter, more engaging, and more direct album than its predecessor.
Mischa Pearlman

The heartland-punks’ first record in nine years takes influence from both before their hiatus and from vocalist Brian Fallon’s recent solo work, though never in any predictable fashion.

The queer-pop sibling duo’s debut album Continue? arrives December 1.

The Scranton punks mostly nail the balance between nostalgia and pure emotion on their seventh LP, if occasionally coming across as Menzingers-by-numbers.

In lieu of the soft folk sound Elliott Smith came to be known for, this collection of rarities from his mid-’90s band harnesses punk and grunge while embracing the recklessness of youth.

The LA metal quartet’s third album Thrones lands October 13 via RidingEasy Records.

The new project featuring Farside’s Popeye Vogelsang and members of Don’t Sleep will release November 10 via Revelation Records.

The Phoenix-based songwriter puts her songwriting personality front and center on her sophomore record, once again writing about heartache for all the right reasons.

The NOFX vocalist previews his surprisingly beautiful collection of string arrangements in collaboration with Baz the Frenchman before the LP officially drops this Friday.

With new reissues of Swordfishtrombones, Rain Dogs, and Franks Wild Years out now, we revisit the songwriting icon’s mid-career run when he leaned into his eccentricities—and changed the course of his career as a result.

Former Cymbals Eat Guitars vocalist Joseph D’Agostino’s second album with the project arrives November 3 via Get Better Records (and Tough Love Recs in the UK).

Charlotte McCaslin goes deep on a record about coming to terms with being a living thing in a dying world.

Exasperation drummer Dave Mead’s debut solo LP Speaking Terms will arrive October 10.

Murray Macleod takes us track by track through the Brighton punks’ journey of self-rediscovery, which is out now via UNFD.

The Boston-based quartet’s debut album I Think About It All the Time lands October 13 via Equal Vision Records.

On their first record in 11 years, the Swedish garage-rock revivalists have as much gusto, energy, and attitude as they did on their 1997 debut.

Takiaya Reed discusses how the joy of creation adds a personal layer to the anti-colonialist drone-metal project’s mission statement.

The track arrives ahead of the Melbourne punks’ fifth LP Endless, out October 20 via Fat Wreck Chords.

The track was recorded during the same sessions as last year’s White Tiger LP.

Christopher Pappas’ new collection of songs How Do I Feel? arrives September 1 via Little Record Company.

Executed with precision and grace, the group’s first release in over a decade blends the darkly political with the profoundly personal.