Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Various artists, Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers
These unheard tracks from Dirty Projectors, Daniel Lopatin, and more are hushed and raw, all crafted with the idea of evoking a sense of home to highlight those whose own are at risk.
HEALTH, Conflict DLC
The noise-rockers’ sixth LP is a full-on rush of nihilistic energy, a shattered disco ball serving as the perfect encapsulation of a world decimated by capitalistic greed at the expense of humanity.
Fucked Up, Year of the Goat
Made up of two nearly half-hour tracks, the hardcore experimentalists’ latest is artistically commendable and consistently intriguing, even if it tends to test the listener’s patience.
Mischa Pearlman
The heartland-punks’ first record in nine years takes influence from both before their hiatus and from vocalist Brian Fallon’s recent solo work, though never in any predictable fashion.
The queer-pop sibling duo’s debut album Continue? arrives December 1.
The Scranton punks mostly nail the balance between nostalgia and pure emotion on their seventh LP, if occasionally coming across as Menzingers-by-numbers.
In lieu of the soft folk sound Elliott Smith came to be known for, this collection of rarities from his mid-’90s band harnesses punk and grunge while embracing the recklessness of youth.
The LA metal quartet’s third album Thrones lands October 13 via RidingEasy Records.
The new project featuring Farside’s Popeye Vogelsang and members of Don’t Sleep will release November 10 via Revelation Records.
The Phoenix-based songwriter puts her songwriting personality front and center on her sophomore record, once again writing about heartache for all the right reasons.
The NOFX vocalist previews his surprisingly beautiful collection of string arrangements in collaboration with Baz the Frenchman before the LP officially drops this Friday.
With new reissues of Swordfishtrombones, Rain Dogs, and Franks Wild Years out now, we revisit the songwriting icon’s mid-career run when he leaned into his eccentricities—and changed the course of his career as a result.
Former Cymbals Eat Guitars vocalist Joseph D’Agostino’s second album with the project arrives November 3 via Get Better Records (and Tough Love Recs in the UK).
Charlotte McCaslin goes deep on a record about coming to terms with being a living thing in a dying world.
Exasperation drummer Dave Mead’s debut solo LP Speaking Terms will arrive October 10.
Murray Macleod takes us track by track through the Brighton punks’ journey of self-rediscovery, which is out now via UNFD.
The Boston-based quartet’s debut album I Think About It All the Time lands October 13 via Equal Vision Records.
On their first record in 11 years, the Swedish garage-rock revivalists have as much gusto, energy, and attitude as they did on their 1997 debut.
Takiaya Reed discusses how the joy of creation adds a personal layer to the anti-colonialist drone-metal project’s mission statement.
The track arrives ahead of the Melbourne punks’ fifth LP Endless, out October 20 via Fat Wreck Chords.
The track was recorded during the same sessions as last year’s White Tiger LP.
Christopher Pappas’ new collection of songs How Do I Feel? arrives September 1 via Little Record Company.
Executed with precision and grace, the group’s first release in over a decade blends the darkly political with the profoundly personal.
