Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Converge, Hum of Hurt
Released just a few months after the more metal-leaning Love Is Not Enough, the Boston group course-corrects by balancing the scales with hardcore on their second LP of 2026.
horsegiirL, Nature Is Healing
The debut from Berlin-based enigma Stella Stallion is a dance record filled with synths, heavy bass, and the traditional beeps and bloops—yet somehow it also feels organic and alive.
Bedouine, Neon Skin Summer
Flowing out of a period of stillness, Azniv Korkejian’s fourth LP dusts up a world of childhood innocence as it diverges from the folk-pop tradition—and her own catalog—of lovelorn intensity.
Mischa Pearlman
A powerful meditation on the real nature of death, their ninth album demonstrates that the Vancouver five-piece hasn’t settled into anything even remotely routine.
Fueled by the same raw and unfiltered emotional gravitas that haunted Bright Eyes’ early recordings, the Chicago duo’s lush debut draws you into a rich, layered world.
Mariel Loveland and Soft Faith’s Aaron Thompson chatted with us about their burgeoning creative partnership and the heavy themes beneath the track’s pop sheen.
The California punk band’s tenth album Dead Rebellion arrives April 5 via Fat Wreck Chords.
Bryan Stage and Andy Marshall’s experimental project shares the first taste of their new LP Person, which documents a failed relationship from beginning to end.
The Dinosaur Jr. frontman’s fourth solo album is haunted and melancholic, wistful and naively questioning—Mascis at his finest.
With a feature from Cat Clyde, the single arrives with news of a new LP from Kensrue titled Desert Dreaming.
Opening the vault on the late songwriter’s live recordings, Kramer’s Shimmy-Disc label repurposes Johnston’s most ramshackle analog sounds for the streaming era.
Blasted, the Portland punks’ first album in five years, arrives February 9 via Fat Wreck Chords.
The debut LP from the Brooklyn rockers is made with care and precision—it’s as much about the spaces between the songs as it is about the songs themselves.
The hyper-political Chicago hardcore outfit’s second post-reunion record is marked by a restlessness so powerful you can almost hear the effects of systemic oppression within its songs.
The Rochester punks share a new track alongside the news of their SideOneDummy debut My Life in Subtitles arriving March 22.
Newly remastered and packaged with a rare 1999 live performance, the alt-rock icons’ debut record as a trio remains perfectly in tune with the world—both musically and lyrically.
The heartland-punks’ first record in nine years takes influence from both before their hiatus and from vocalist Brian Fallon’s recent solo work, though never in any predictable fashion.
The queer-pop sibling duo’s debut album Continue? arrives December 1.
The Scranton punks mostly nail the balance between nostalgia and pure emotion on their seventh LP, if occasionally coming across as Menzingers-by-numbers.
In lieu of the soft folk sound Elliott Smith came to be known for, this collection of rarities from his mid-’90s band harnesses punk and grunge while embracing the recklessness of youth.
The LA metal quartet’s third album Thrones lands October 13 via RidingEasy Records.
The new project featuring Farside’s Popeye Vogelsang and members of Don’t Sleep will release November 10 via Revelation Records.
The Phoenix-based songwriter puts her songwriting personality front and center on her sophomore record, once again writing about heartache for all the right reasons.
