Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Reviews
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@, Autosmile
The experimental duo coil psychedelic-folk introspection around prog-rock guitar flourishes across the dramatically pivoting tracklist of their acoustically oriented debut for 4AD.
Rachel Chinouriri, I Think I Spoke Too Soon
On her second album, the English artist pivots to clubbier sounds that both satisfy and sting as she suppresses loneliness with a fake smile and a polished dance-pop sheen.
Fontaines D.C., Dopamine Chamber
Opting for a synthetic architecture over the driving guitar language of earlier records, the Dublin band shatters their sonic frontier to reveal a grim catechism for hyper-processed hedonism.
Nick Fulton
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Juan Wauters’ Immigrant Song
Juan Wauters recalls his immigration from Uruguay to Queens, which he commemorates on his recent LP “Introducing Juan Pablo.”
October 15, 2020
With “Memory,” Vivian Girls Have Nothing to Prove
Despite cultural shifts in the eight years since their last album, their newest suggests the garage rock trio doesn’t need to change a bit.
September 18, 2019
Sigur Rós Frontman Jónsi Makes Scents
He’s a perfume connoisseur on the side.
August 26, 2019
She Keeps Bees’ Jessica Larrabee Sings for Trees
The husband-and-wife folk-rock duo detail the band’s new album, “Kinship,” and music’s role in the age of climate activism.
July 16, 2019
Priests
Priests Are Musicians, Not a Political Party
The D.C. band opened up about national identity, Thomas Frank, and Bowie’s Berlin trilogy.
April 04, 2019
