Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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The LA group’s debut is an extremely stylish backdrop with no magnetic centerpiece, a fascinating—and even useful—snapshot of indie rock’s current preoccupations.
Fat Dog, Cancel Me (I’m Tired)
Still in their puppy years, the London dance-punk experimentalists’ second LP reflects our world at a time when chaos reigns and no one seems to be bothering to snap a leash onto its collar.
Bob Dylan, The Rolling Thunder Revue: The 1976 Live Recordings
Capturing 22 different shows on the titular mid-’70s tour, each torrid, angst-ridden live take on this 39-disc collection sounds more manically driven than the gig before it.
Sean Fennell
The London songwriter is able to achieve a collision of cool and gut-wrenching that is all her own.
The Muncie Girls songwriter finds much more fertile ground in the internal on her solo debut.
This self-titled LP is a record of hits, misses, and left-field bangers—but it’s Shamir’s and Shamir’s only.
Alicia Bognanno’s third LP benefits from a newfound willingness to let go.
The band pick at every scab they’ve developed during their arduous last twelve months.
Isbell’s seventh album works best when it exists in the vagaries, where the lines of fact and fiction mix.
“MaDLO” is full of holes, but wholly unique.
“Loves” sees a veteran artist sauntering along his creative borders with glee.
