Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
The Nerves, Best Collection
Third Man collects everything the power-pop legends ever released 50 years after their lone EP, with these live tracks and demos proving why such a short-lived group was so influential.
Fenne Lily, Win Win
With an assured sense of vulnerability and potent imagery, the Brooklyn-via-Dorset songwriter’s fourth album finds comfort in post-breakup acceptance and personal renewal.
@, Autosmile
The experimental duo coil psychedelic-folk introspection around prog-rock guitar flourishes across the dramatically pivoting tracklist of their acoustically oriented debut for 4AD.
Sean Fennell
The London songwriter is able to achieve a collision of cool and gut-wrenching that is all her own.
The Muncie Girls songwriter finds much more fertile ground in the internal on her solo debut.
This self-titled LP is a record of hits, misses, and left-field bangers—but it’s Shamir’s and Shamir’s only.
Alicia Bognanno’s third LP benefits from a newfound willingness to let go.
The band pick at every scab they’ve developed during their arduous last twelve months.
Isbell’s seventh album works best when it exists in the vagaries, where the lines of fact and fiction mix.
“MaDLO” is full of holes, but wholly unique.
“Loves” sees a veteran artist sauntering along his creative borders with glee.
