FLOOD

FLOOD is a new, influential voice that spans the diverse cultural landscape of music, film, television, art, travel, and everything in between.
Sean Fennell
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In Conversation
In Conversation: Tune-Yards Continue to Expand Their Perspective on “sketchy.”

Merrill Garbus on the uncomfortable conversations and creative choices that characterize the band’s fifth album.

March 23, 2021
Reviews
Cloud Nothings, “The Shadow I Remember”

The band’s 7th LP is a wily repurposing of former selves while, at the same, whittling away what no longer fits.

March 03, 2021
Reviews
Arlo Parks, “Collapsed in Sunbeams”

The London songwriter is able to achieve a collision of cool and gut-wrenching that is all her own. 

January 29, 2021
Reviews
Lande Hekt, “Going to Hell”

The Muncie Girls songwriter finds much more fertile ground in the internal on her solo debut.

January 21, 2021
Reviews
Shamir, “Shamir”

This self-titled LP is a record of hits, misses, and left-field bangers—but it’s Shamir’s and Shamir’s only. 

October 07, 2020
Reviews
Bully, “SUGAREGG”

Alicia Bognanno’s third LP benefits from a newfound willingness to let go.

September 09, 2020
Reviews
Fontaines D.C., “A Hero’s Death”

The band pick at every scab they’ve developed during their arduous last twelve months.

August 10, 2020
Reviews
Jason Isbell and the 400 Unit, “Reunions”

Isbell’s seventh album works best when it exists in the vagaries, where the lines of fact and fiction mix.

May 28, 2020
Reviews
Car Seat Headrest, “Making a Door Less Open”

“MaDLO” is full of holes, but wholly unique. 

May 08, 2020
Reviews
Hamilton Leithauser, “The Loves of Your Life”

“Loves” sees a veteran artist sauntering along his creative borders with glee.

April 13, 2020
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