Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Boards of Canada, Inferno
The Scottish duo’s first album in 13 years is their most evocative yet, presenting a series of down-tuned tones and dark chordal scores rippling with cryptic samples and robo-voice blips.
Paul McCartney, The Boys of Dungeon Lane
On his 20th album, the octogenarian pop-rock architect builds a time machine out of scuffed acoustic guitars, warm tape hiss, and the kind of indelible melodies that cast a long shadow.
Iceage, For Love of Grace & the Hereafter
By returning to the rustic environment that birthed their mid-career peak, the Danish post-punks rekindle their core artistic flame with a masterclass in controlled chaos.
Sean Fennell
This self-titled LP is a record of hits, misses, and left-field bangers—but it’s Shamir’s and Shamir’s only.
Alicia Bognanno’s third LP benefits from a newfound willingness to let go.
The band pick at every scab they’ve developed during their arduous last twelve months.
Isbell’s seventh album works best when it exists in the vagaries, where the lines of fact and fiction mix.
“MaDLO” is full of holes, but wholly unique.
“Loves” sees a veteran artist sauntering along his creative borders with glee.
