Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Dua Saleh, Of Earth & Wires
The Sudanese-American songwriter’s second album blends R&B and electronic pop with spoken-word poetry to create a tapestry of lush sounds and mythic language.
Kraftwerk, Radio-Activity [50th Anniversary Edition]
This re-release presents a band that’s palatably gleeful to have figured out their formula with an astonishingly cohesive and weirdly poppy picture of a Cold War–fogged world.
Towa Bird, Gentleman
The shred-bending guitarist is out for blood on her second LP as she channels femme-punk fury and four-on-the-floor disco beats into songs aiming to bust the heads of the pop patriarchy.
Taylor Ruckle
While it doesn’t always live up to its most groundbreaking forebears, this sort-of posthumous release often succeeds in its own right.
The Chris Farren–directed visual announces Elise Okusami’s new album Nothing’s Ever Fine, which arrives April 8 via Polyvinyl.
The London-based indie rockers’ latest EP is an anti-formalist return to form.
The latest single from “Galactic Africa” pushes back on neo-colonialism in energetic Afrobeat fashion.
Kennedy Freeman shares the first of two full-band singles already planned for 2022.
The track arrives ahead of the “Jagged Little Pill” cast member’s debut album, “My Bed.”
The Québec-based songwriter celebrates the richness of her culture and the healing she’s achieved through transmitting it on her latest release.
The paradoxically upbeat single arrives ahead of their forthcoming self-titled EP.
The Palberta member’s solo debut channels the anguish and exhilarating possibility of a post-breakup period.
Taylor Vick’s comfort zone is the lilting, mid-tempo stuff her new album is founded on, opening up an expansive space around her nylon-string compositions.
Chamber-pop ornamentation and live-band grit weave around spiritual lyricism on the Cincinnati band’s third album.
