With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
The Wonder Years, The Hum Goes on Forever
The Philly punk six-piece work through the pandemic era’s toughest battles on what could go down as their masterpiece.
Sports Team, Gulp!
In spite of characteristically good songwriting, the London-based post-Britpop group’s sophomore record wraps without any substantial revelations.
Death Cab for Cutie, Asphalt Meadows
The sonic postcards and arcane references on the band’s tenth studio album are driven by a newfound curiosity, one that succeeds in stretching their best components farther than ever before.
Meshing elements of rap, rock, and R&B, the duo of Louie Pastel and Felix discuss their unlikely come-up over the past year.
Camae Ayewa discusses working with artistic limitations, the relationship between poetry and music, and the direction she took with her latest solo LP.
The brains behind recent videos from Earl Sweatshirt & The Alchemist, MAVI, and Lil Uzi Vert discusses his DIY style and evolution as an artist.
The London-based artist plays with percussive beats with a confidence that enables her to weave seemingly unrelated textures into the same pattern.
The producer’s newest LP is a preservation of blissful, temporary moments that escape once you open your eyes and exhale.
From the EP’s get-go, it’s clear the trio is unafraid to continuously push creative boundaries.