With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Sufjan Stevens, Carrie & Lowell [10th Anniversary Edition]
Padded out with a personal essay, family photos, and outtakes, this re-release of Stevens’ album-length eulogy permits yet another return to the 1980s Oregon of the artist’s memory.

Alan Sparhawk, With Trampled by Turtles
Far more mournful than his solo debut from last year, the former Low member’s collaboration with the titular bluegrass band is drenched in sorrow, absence, longing, and dark devastation.

Cola Boyy, Quit to Play Chess
Despite bristling with Matthew Urango’s familiar cotton-candied disco, the late songwriter and activist’s sophomore album also opens the floodgates to everything else he seemed capable of.
Will Schube

The track is taken from an album of the same name, out in September via 4AD.

Moses Sumney / photo by Adrian Santos
The single is featured on National Geographic’s A Small Light series.

The LA-based rapper discusses sharing his own story on his debut full-length, as well as tapping into the history of West Coast hip-hop.

The final story in our three-part interview series on the future of Quality Control Music focuses on the Milwaukee emcee and her Arkansan labelmate, and includes an exclusive “Neighborhoods” performance from Lakeyah.

The second in our three-part interview series on the future of Quality Control Music hones in on two artists at the center of QC’s global vision, and features exclusive “Neighborhoods” performances from both artists.

The first in a three-part interview series on the future of Quality Control Music—the label that launched Migos, Lil Yachty, Lil Baby, and City Girls—starts at the top with a conversation with the rap-dominating label’s CEO and COO.

billy woods and ELUCID tell us how their recent record with The Alchemist came together, and share a few of their favorite Alc records.

Walker’s latest is a powerful record of prog and jamming and lyrics that are just clever enough to not be silly.

The ensemble’s 7th album is resistance music built off the back of the most difficult year in the modern era.

Florence Shaw’s biting delivery steals the show and elevates the album to great heights.

The Fresh & Onlys vocalist’s latest illustrates why he’s a trusted source for catchy hooks and jangly tunes.

The co-director of the new documentary on the outlaw country icon discusses her film and Clark’s influence on her life.

This deluxe edition offers a nice slew of remixes and demos, but its best function is a reminder of how good TPC was the first time around.

The album functions as a sample pack for aspiring producers, introducing a number of styles that Muggs handles with ease.

Jeremy Earl and Glenn Donaldson construct an effortless cascade of pastoral psych-folk on their debut.

The pair’s second release of 2021 smoothly builds on the chemistry they established on that first tape.

The band talks addiction, recovery, and their hiatus—and how these elements led to their heaviest album to date.

The musician talks grief, her memoir, releasing songs without the pressure of a record press cycle, and her struggle with writing happy tunes.

Yoni Wolf details the impulse and happenstance that informed the band’s fractured new album.

Following the band’s Shaky Knees set, Conor Murphy wrestles with musical and existential questions.