With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Marissa Nadler, New Radiations
The gothic songwriter’s latest collection of bad-dream vignettes feels like a return to the mold she was cast in as she wrestles with the current state of her country through obscured lyrics.

The Black Keys, No Rain, No Flowers
The blues-rock duo sifts through wreckage in search of meaning and growth on their 13th album only to come up with answers that are every bit as pat and saccharine as the title suggests.

JID, God Does Like Ugly
After 15 years of writing and developing verses, the Dreamville rapper has become a master of the form on his fourth album as he finds resolution and comes to recognize his purpose.
A.D. Amorosi

The guitarist/vocalist with two new albums examines his time with Nick Cave’s Bad Seeds, The Gun Club, and The Cramps.

20 collections that defy the streaming age.

Padded with interviews and commentary, the real draw of Criterion’s 4K digital master is the inclusion of full versions of the avant-garde films excerpted in the doc.

The guitarist discusses the therapeutic jams of his sophomore solo LP under the outlet Hundred Watt Heart.

30 titles to keep an eye out for at this Friday’s annual post-turkey crate dig.

Beyond its golden coloring reflecting Coltrane’s sunburst spirituality, this reissue highlights the intertwined holy path shared with her late husband conveyed in the cosmic music she crafted in his wake.

This no-fat, all-funk debut EP is like a hard, wet kiss planted unexpectedly on your lips.

The twin neo-metal LPs incorporating bits of blues, country, punk, and classical into their tunes finally arrive together in one large package with three times the bombast.

This 5-LP collection spanning 1981 to 1990 shows that the Sheffield group were way ahead of the curve when it came to the innovations made in the name of future-looking synth-pop.

Mogwai, Man Man, IDLES, and The National are among the artists contributing chilly, distant remixes as part of this historical, 46-song overview of the krautrock duo’s original albums.

It’s the vocal textures and potent poli-sci lyricism that move all the needles on the NYC hardcore innovators’ third and most maximal album.

Capturing the mesmeric vibe and stretched compositional prowess of The Beatles and George Martin circa 1966, this lavish heavy vinyl kit meets the new expectations set by the epic Get Back.

Re-released 21 years after its debut, the producer and composer’s power-pop turn is a decorous affair with a personal and personable backstory.

His first solo album of vocal-based song since 2005 is mostly oddly beautiful and vaguely over-obvious in the lyric department, the latter strange for an Eno effort.

With Criterion Collection’s new 4K HD digital restoration out now, we revisit the industrialist nightmare of the 21st-century noir horror film.

Confusing expectations again, Rundgren’s latest seems to outstretch its long arms to accommodate guests rather than interacting in a duet setting.

Producer Larry Klein welcomes an elastic jazz ensemble to manipulate the subtle majesty of Cohen’s music for a murderer’s row of vocalists on a varied, often less-than-obvious selection of tracks.

On this lost 1957 classic, the rarity of Mingus compositions for sextet fly to the fore in vividly colorful and aptly tuned dedication to friends and fellow masters.

The psychedelic R&B of the DC songwriter’s clattering new album rings out righteously in the name of refreshed contentment and love lived to its fullest.

The debut collaboration between the two experimentalists courses through one’s evolution of self-expression while pursuing the tenderness of community.