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FLOOD is a new, influential voice that spans the diverse cultural landscape of music, film, television, art, travel, and everything in between.
A.D. Amorosi
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Reviews
MIKE, “Beware of the Monkey”

Like a short story writer moving into the novel’s narrative form, the East Coast rapper has figured out how to expand his dreamy sensibilities without losing his intimate sleepy qualities.

January 24, 2023
Reviews
Måneskin, “Rush!”

The Italian rockers’ third effort is the slick, chic, and over-stuffed meal in which to portray their fullest flavors.

January 23, 2023
Reviews
†††, “PERMANENT.RADIANT”

The first EP from Deftones’ Chino Moreno and Far’s Shaun Lopez in nearly a decade never ceases to thrill, even in its quietest measures.

January 20, 2023
Reviews
Man or Astro-Man?, “Distant Pulsar”

On their second bite-size studio release since 2013, the space-age surf punks are angrier and more propulsive-sounding than in their past, and with that, more bluntly direct in their execution.

January 19, 2023
Reviews
Cheap Trick, “Live at the Whisky 1977”

This live box set showcases newly made medleys that result in razor-sharp glam-rock cuts with complex melodic curveballs, crushing metal-pop guitar work, and the chemistry of a close-knit, veteran bar band.

January 10, 2023
Art & CultureIn Conversation
Kid Congo Powers Tells His Truth in New Memoir “Some New Kind of Kick”

The guitarist/vocalist with two new albums examines his time with Nick Cave’s Bad Seeds, The Gun Club, and The Cramps.

January 09, 2023
Staff Picks
The Best Reissues of 2022

20 collections that defy the streaming age.

December 29, 2022
Film + TVReviews
Todd Haynes’ “The Velvet Underground” Is a Love Letter to a Scene, Not Just a Sound

Padded with interviews and commentary, the real draw of Criterion’s 4K digital master is the inclusion of full versions of the avant-garde films excerpted in the doc.

December 19, 2022
The Roots’ Captain Kirk Douglas Goes Boldly Into the “New Unknown”

The guitarist discusses the therapeutic jams of his sophomore solo LP under the outlet Hundred Watt Heart.

December 06, 2022
FLOOD’s Guide to Record Store Day Black Friday 2022: David Bowie, The Weeknd, Alex G, RZA, Nico, and More

30 titles to keep an eye out for at this Friday’s annual post-turkey crate dig.

November 23, 2022
Reviews
Alice Coltrane, “Ptah, the El Daoud” [Reissue]

Beyond its golden coloring reflecting Coltrane’s sunburst spirituality, this reissue highlights the intertwined holy path shared with her late husband conveyed in the cosmic music she crafted in his wake.

November 22, 2022
Reviews
GloRilla, “Anyways, Life’s Great…”

This no-fat, all-funk debut EP is like a hard, wet kiss planted unexpectedly on your lips.

November 18, 2022
Reviews
Guns n’ Roses, “Use Your Illusion” (Super Deluxe)

The twin neo-metal LPs incorporating bits of blues, country, punk, and classical into their tunes finally arrive together in one large package with three times the bombast.

November 17, 2022
Reviews
The Human League, “The Virgin Years”

This 5-LP collection spanning 1981 to 1990 shows that the Sheffield group were way ahead of the curve when it came to the innovations made in the name of future-looking synth-pop.

November 10, 2022
Reviews
NEU!, “50!”

Mogwai, Man Man, IDLES, and The National are among the artists contributing chilly, distant remixes as part of this historical, 46-song overview of the krautrock duo’s original albums.

November 08, 2022
Reviews
Show Me the Body, “Trouble the Water”

It’s the vocal textures and potent poli-sci lyricism that move all the needles on the NYC hardcore innovators’ third and most maximal album.

November 07, 2022
Reviews
The Beatles, “Revolver” [Super Deluxe]

Capturing the mesmeric vibe and stretched compositional prowess of The Beatles and George Martin circa 1966, this lavish heavy vinyl kit meets the new expectations set by the epic Get Back.

November 03, 2022
Reviews
Jon Brion, “Meaningless” [Reissue]

Re-released 21 years after its debut, the producer and composer’s power-pop turn is a decorous affair with a personal and personable backstory.

November 02, 2022
Reviews
Brian Eno, “FOREVERANDEVERNOMORE”

His first solo album of vocal-based song since 2005 is mostly oddly beautiful and vaguely over-obvious in the lyric department, the latter strange for an Eno effort.

November 01, 2022
Film + TVReviews
The Sound and Vision of David Lynch’s “Lost Highway”

With Criterion Collection’s new 4K HD digital restoration out now, we revisit the industrialist nightmare of the 21st-century noir horror film.

October 31, 2022
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