FLOOD

FLOOD is a new, influential voice that spans the diverse cultural landscape of music, film, television, art, travel, and everything in between.
A.D. Amorosi
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Reviews
Pink Floyd, “The Dark Side of the Moon” + “Live at Wembley Empire Pool, London, 1974”

The now-50-year-old iconic LP—and its rarely heard Wembley live show recording—represents progressive rock at its most endearing, embraceable, and enduring.

March 29, 2023
Reviews
JPEGMAFIA & Danny Brown, “Scaring the Hoes”

The radically caffeinated and overheated emcees’ new duet album achieves a cohesion that could only be described as alchemical magic.

March 28, 2023
Reviews
Lana Del Rey, “Did you know that there’s a tunnel under Ocean Blvd”

Shame, sex, death, and family all wriggle through Del Rey’s new album as if pouring mercury through a sieve, with Jack Antonoff’s light orchestration designed to make it all go down easy.

March 27, 2023
Film + TV
“The Upsetter” Is a Full-Circle Portrait of Lee “Scratch” Perry

Adam Bhala Lough and Ethan Higbee’s 2009 documentary on the producer and toaster is now streaming on Criterion Channel, and available physically through Factory 25 and Vinegar Syndrome.

March 22, 2023
Reviews
Depeche Mode, “Memento Mori”

The sonic sparseness of the band’s fifteenth album—and first since the passing of co-founder Andrew Fletcher—is a welcome retreat from their more conventional forays into universality over the past decade.

March 22, 2023
Reviews
U2, “Songs of Surrender”

This massive collection of re-recorded hits offers genuine surprises as to how the band sees themselves and their material, making for their best new old album in some time.

March 17, 2023
Film + TVIn Conversation
Music Supervisor Frankie Pine on Making “Daisy Jones & the Six” Rock

Pine talks transforming the fictional group into a real band of sorts, and choosing aptly emotional ’70s-centric needle drops for the series’ Fleetwood Mac–ish drama.

March 17, 2023
Reviews
De La Soul, “3 Feet High and Rising”

The Long Island–based trio’s Möbius-stripped voices in tandem with Prince Paul’s seamless sampling are what make their 1989 debut one of hip-hop’s foremost GOAT contenders.

March 13, 2023
Reviews
Miley Cyrus, “Endless Summer Vacation”

Dedicated to her gauzy Los Angeles’s sunny days and noir-ish nights, Miley’s eighth LP is her most consistent, evenly handed record to date.

March 10, 2023
Reviews
Burt Bacharach & Elvis Costello, “The Songs of Bacharach & Costello”

In addition to live recordings and rarities, this two-vinyl, four-CD package features a remastered version of the pair’s 1998 collaboration Painted by Memory that will break your heart with each spin.

March 06, 2023
First Listen
Money Mark Turns Imaad Wasif’s “So Long Mr. Fear” on Its Head with New Remix

Retitled “Mr. Fear, So Long,” the collaborative rework reanimates the single with “alien funk.”

March 06, 2023
In Conversation
A Tale of Ten City: Marshall Jefferson and Byron Stingily on the Past and Present of “Love Is Love”

The iconic Chicago house duo discuss their trajectory from their early major-label releases in the late-’80s to the two records they’ve crafted since reforming in 2021.

March 03, 2023
Reviews
John Fizer, “Treasure Man”

The Berkeley troubadour’s once-lost 1977 solo disc is full of weary songs both beautifully plainspoken and warmly character-driven.

February 27, 2023
Reviews
Gorillaz, “Cracker Island”

Damon Albarn dampens some of the project’s kinkier oddities in favor of symmetry and sleekness on his latest star-studded recording.

February 24, 2023

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Milan Records Is Continuing to Shape Itself Around Ryuichi Sakamoto

Label head JC Chamboredon discusses the profound impact the composer and electronic music legend has had on the label his father founded in 1978.

February 24, 2023
New Vinyl Ideas: Numero Group on 20 Years of Giving Us the Unexpected

The archival label’s founders discuss the long road to this weekend’s anniversary festivities in LA, with Codeine, Unwound, Karate, and more set to take the stage at the Palace Theater.

February 16, 2023
Reviews
The Go! Team, “Get Up Sequences Part 2”

The loud, bass-bin rattles of the sequel to their 2021 LP sound like a party among old friends and new, mixing cutting-edge noise-rock R&B with old-school shoegaze and synth pop.

February 15, 2023
Reviews
Bob Dylan, “The Bootleg Series Vol. 17: Fragments – Time Out of Mind Sessions: 1996-1997”

On the series’ 17th installment, listeners are transported to the sound of desire, a Dylan reconnecting and reconnoitering with a curt and surly muse.

January 31, 2023
Reviews
Bass Drum of Death, “Say I Won’t”

The Mississippi garage rockers move past lo-fi toward a more soulful and power-chord heavy sound on their Patrick Carney–produced fifth album.

January 30, 2023
Reviews
Lil Yachty, “Let’s Start Here.”

The Atlanta rapper has taken up the mantle of prog-psychedelic, live-band hip-hop, and the results are as outwardly wily and avant-garde as they are insular and introspective.

January 27, 2023
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