With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Fly Anakin, (The) Forever Dream
The Virginia rapper’s guest-filled latest is a stellar collection of bright, diverse, and downright gorgeous hip-hop that’s so light-on-its-feet it can sometimes feel like it’s sweeping you off yours.

Tennis, Face Down in the Garden
The husband-and-wife duo calmly issue forth their always whimsical yet never overly precious musical blend of psych-tinged indie-pop from start to finish on their seventh and final LP.

Sarah Mary Chadwick, Take Me Out to a Bar / What Am I, Gatsby?
The deep crevices of profound dependence live within the Melbourne-based songwriter’s every word and melody throughout her grayly comic and experimentally recorded ninth album.
Anya Jaremko-Greenwold

Lizzo / photo by Carlo Cavaluzzi
Her ass is all over social media, and no one’s complaining.

The singer-songwriter talks her first solo album in six years, “There Will Be No Intermission,” and how her fans and becoming a mom influenced her music.

The couple just made a $1.25 million donation, but some headlines didn’t acknowledge her.

The filmmaker was in full-on sass mode last night. And for good reason.

Phoebe Bridgers / photo by Natasha Aftandilians
They’re both in the news right now; he as the accused, she as an accuser.

“The Notebook” is pretty dumb, but Rachel McAdams makes it kinda wonderful.

Our non-human Oscar picks might be more awards-worthy than the actors who drank, ate, and wore them.

Blessed are the forgetful, for they get the better even of their shitty holidays.

The writer-comedian’s book, “Bad with Money: The Imperfect Art of Getting Your Financial Sh*t Together,” is out now.

Ten new non-verbal ways to express yo’self.

The documentarian speaks about his deep-dive into the famous couple’s fraught romantic history.

Here are our fan requests.

A still from “Hail Satan?” by Penny Lane, an official selection of the U.S. Documentary Competition at the 2019 Sundance Film Festival. Courtesy of Sundance Institute | photo by Naiti Gmez.
All photos are copyrighted and may be used by press only for the purpose of news or editorial coverage of Sundance Institute programs. Photos must be accompanied by a credit to the photographer and/or ‘Courtesy of Sundance Institute.’ Unauthorized use, alteration, reproduction or sale of logos and/or photos is strictly prohibited
“Hail, Satan?” premiered at Sundance last weekend. But don’t worry—these guys don’t actually worship Satan.

A “New York Times” poetry review said this guy’s words are no good. Here’s why that’s crazy.

The Hulu show was like a tender, sympathetic antidote to the fast fury of Fox News.

Eat your heart out, Academy.

On the artist’s elegant-goth style, his wide-ranging influence, and his non-existent love life.

Our FLOOD 9 cover story on the offbeat (and oft-beat) actor and first-time director.

The five leads of Jonah Hill’s new film are, for the most part, skateboarders first and actors second. But being a skater doesn’t mean just one thing anymore.

We fear sharks but love shark movies. So what are they really about?