With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Gloin, All of your anger is actually shame (and I bet that makes you angry)
On their second album, the Toronto band taps into the fury of their post-punk forebears with a polished set of psychological insights that feel angry in all the right ways.

Great Grandpa, Patience, Moonbeam
An experiment in more collaborative songwriting, the band’s highly ambitious first album in over five years truly shines when all of its layered ideas are given proper room to breathe.

Bryan Ferry & Amelia Barratt, Loose Talk
This ghostly collaborative album with spoken-word artist Barratt finds the Roxy Music leader digging his own crates for old demos and warped melodies that went unused until now.
Anya Jaremko-Greenwold

Lizzo / photo by Carlo Cavaluzzi
Her ass is all over social media, and no one’s complaining.

The singer-songwriter talks her first solo album in six years, “There Will Be No Intermission,” and how her fans and becoming a mom influenced her music.

The couple just made a $1.25 million donation, but some headlines didn’t acknowledge her.

The filmmaker was in full-on sass mode last night. And for good reason.

Phoebe Bridgers / photo by Natasha Aftandilians
They’re both in the news right now; he as the accused, she as an accuser.

“The Notebook” is pretty dumb, but Rachel McAdams makes it kinda wonderful.

Our non-human Oscar picks might be more awards-worthy than the actors who drank, ate, and wore them.

Blessed are the forgetful, for they get the better even of their shitty holidays.

The writer-comedian’s book, “Bad with Money: The Imperfect Art of Getting Your Financial Sh*t Together,” is out now.

Ten new non-verbal ways to express yo’self.

The documentarian speaks about his deep-dive into the famous couple’s fraught romantic history.

Here are our fan requests.

A still from “Hail Satan?” by Penny Lane, an official selection of the U.S. Documentary Competition at the 2019 Sundance Film Festival. Courtesy of Sundance Institute | photo by Naiti Gmez.
All photos are copyrighted and may be used by press only for the purpose of news or editorial coverage of Sundance Institute programs. Photos must be accompanied by a credit to the photographer and/or ‘Courtesy of Sundance Institute.’ Unauthorized use, alteration, reproduction or sale of logos and/or photos is strictly prohibited
“Hail, Satan?” premiered at Sundance last weekend. But don’t worry—these guys don’t actually worship Satan.

A “New York Times” poetry review said this guy’s words are no good. Here’s why that’s crazy.

The Hulu show was like a tender, sympathetic antidote to the fast fury of Fox News.

Eat your heart out, Academy.

On the artist’s elegant-goth style, his wide-ranging influence, and his non-existent love life.

Our FLOOD 9 cover story on the offbeat (and oft-beat) actor and first-time director.

The five leads of Jonah Hill’s new film are, for the most part, skateboarders first and actors second. But being a skater doesn’t mean just one thing anymore.

We fear sharks but love shark movies. So what are they really about?