With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
The Cure, Songs of a Lost World
The lyrical doom and gloom that matches the music’s slowed, metallic, ethereal ambience on the band’s first record in 16 years focuses very pointedly on true death.
Planes Mistaken for Stars, Do You Still Love Me?
The Colorado heavy rockers’ fifth and final record exhibits their broadest sense of appeal, ranging from aggressive noise rock to catchy post-hardcore hooks.
Leaving Time, Angel in the Sand
At various turns haunting, alluring, catchy, and confident, the Jacksonville shoegazers’ well-considered debut introduces the band with aplomb.
Carlos Aguilar
The product of their parents’ courage to endure the perils and sorrow of leaving a homeland behind, storytellers Lemus and Chávez navigate the ever-treacherous American entertainment industry with a responsibility-laden compass.
Directors Jesse Moss and Amanda McBaine and subjects Steven Garza and René Otero reflect on the new doc about the American Legion’s Boys State program.
The new film starring Kate Lyn Sheil is now streaming.
The young Irish actor dissects Hulu’s new series based on the Sally Rooney novel.
The star of Céline Sciamma’s smoldering queer romance details her experience on set.
On her first soundtracking experience, decolonizing art, and why an electronic film score is so unique.
The actor talks the power of language, performing addiction, and his forty-year-long creative partnership.
Alfonso Cuarón’s follow-up to “Gravity” is Netflix’s first big play for Best Picture. Its star had never acted before.