Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Joyce Manor, I Used to Go to This Bar
The Torrance punks’ seventh album sees the trio firing on all cylinders with their signature punchy hooks and catchy choruses culminating in 19 minutes of sheer pop-punk glory.
Searows, Death in the Business of Whaling
Alec Duckart’s nautically themed second album infuses its emotionally fragile indie-folk with a trudging heaviness that pushes toward doom-metal territory.
Camper, Campilation
Flush with a historic list of Black voices both past and present, the producer’s debut album sees him devise yet another way to remake the wheel of soul.
Carlos Aguilar
GENTEFIED
The product of their parents’ courage to endure the perils and sorrow of leaving a homeland behind, storytellers Lemus and Chávez navigate the ever-treacherous American entertainment industry with a responsibility-laden compass.
Boys State
Directors Jesse Moss and Amanda McBaine and subjects Steven Garza and René Otero reflect on the new doc about the American Legion’s Boys State program.
The new film starring Kate Lyn Sheil is now streaming.
The young Irish actor dissects Hulu’s new series based on the Sally Rooney novel.
The star of Céline Sciamma’s smoldering queer romance details her experience on set.
On her first soundtracking experience, decolonizing art, and why an electronic film score is so unique.
The actor talks the power of language, performing addiction, and his forty-year-long creative partnership.
Alfonso Cuarón’s follow-up to “Gravity” is Netflix’s first big play for Best Picture. Its star had never acted before.
