Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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Cult of Luna, In the Shadow of Your Shadow
The Swedish post-metal pioneers’ intense 10th full-length is among their darkest, hardest-hitting statements as it searches this scorched earth for shafts of rapturous light.
Sufjan Stevens, Worst Christmas Ever!
The Christmas album format finds vindication as the songwriter distills timeless compositions into a primer that cares about reverence and reflection as much as bombastic experimentation.
Katie Dey, Universal Will
Trading her typical hyperpop textures for heavy rock notes, the Australian pop experimentalist focuses her sights on the rise of technofascism in the wake of an online coming-of-age.
Connor McInerney
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Reviews
Angel Olsen, “Song of the Lark and Other Far Memories”
The bonus LP of B-sides provides a sense of completion to Olsen’s “All Mirrors” era, although the set as whole feels a bit uneven.
May 06, 2021
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Beach Bunny, “Blame Game” EP
The EP’s subject matter is thornier than past efforts’, leading to songwriting that pulls fewer punches.
January 14, 2021
DIRTY PROJECTORS
In Conversation
In Conversation: David Longstreth of Dirty Projectors on the Language and Process Behind “5EPs”
Longstreth also details his love of bossa nova and the ever-fluctuating definition of what Dirty Projectors really is.
November 24, 2020
Reviews
Tobacco, “Hot Wet & Sassy”
Much of the signature grime has worn off, revealing an innovative—though not necessarily boundary pushing—shine.
October 28, 2020
