With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
The Cure, Songs of a Lost World
The lyrical doom and gloom that matches the music’s slowed, metallic, ethereal ambience on the band’s first record in 16 years focuses very pointedly on true death.
Planes Mistaken for Stars, Do You Still Love Me?
The Colorado heavy rockers’ fifth and final record exhibits their broadest sense of appeal, ranging from aggressive noise rock to catchy post-hardcore hooks.
Leaving Time, Angel in the Sand
At various turns haunting, alluring, catchy, and confident, the Jacksonville shoegazers’ well-considered debut introduces the band with aplomb.
David Iskra
“It’s been a while since I’ve sung these songs—16 years, in fact. But I’m thrilled to be here with Jason and the soon-to-be First Gentleman of the United States of America.”
Norah Jones, The Black Crowes, and Kool & the Gang all delivered stellar sets at the annual Asbury Park fest—but this year’s edition was all about The Boss.
EarthGang, Bootie Brown, Michelle Ndegwa, De La Soul, and others joined Damon Albarn and the animated group for their Philly tour stop.
Japanese Breakfast and The Linda Lindas joined them for their New York homecoming.
The Asbury Park, NJ festival co-founded by photographer Danny Clinch also featured Wet Leg, Idles, My Morning Jacket, Boy George, and more.
Julien Baker and Quinn Christopherson also performed at this weekend stop on the triple-headliner Wild Hearts Tour.
The event—which benefitted local foundation Make the World Better—also featured Welsh singer Cate Le Bon.
The electronic pioneers are in the midst of their North American 3-D tour.
Trent Reznor and the band are in the midst of a US tour playing their first live shows since 2018.
The Radiohead frontman took his Tomorrow’s Modern Boxes project to Berkeley for a memorable sold-out performance.
The “Beastie Boys Book: Live & Direct” tour was a funny, moving, and irreverent spectacle—all soundtracked by breakbeats and scratches.
The iconic metal group went unplugged—or at least slightly de-electrified—for a benefit show this past weekend.