FLOOD

The star of NBC’s “The Good Place” and A24’s “Midsommar” is a nervous kinda guy.

A former camgirl flipped the script in writing and co-creating a new horror flick inspired by her own experiences, available now on Netflix.  

With their cunning comedic personas and unique kinship, this one-of-a-kind twosome provides a breath of fresh air…even at their most breathless.

For Matt Ingebretson and Jake Weisman, the recipe for the creative success of their comedy series “Corporate” is one part inspiration, one part perspiration, all parts depression.  

You’ve seen him everywhere, but you still might want to be careful following Rob Huebel into the woods in his new YouTube Red comedy series, “Do You Want to See a Dead Body?”

The creator and star of IFC’s webseries “Neurotica” is here to help you deal.

The director of the Aubrey Plaza–led Internet thriller talks Instagram, mental health, and Los Angeles.

America’s past brings a comedic goldmine to Anthony and co-host Gareth Reynolds’s podcast…even when the nation’s outlook is not-so-golden.

Demetri Martin has always marched to the beat of his own bits, but after twenty years of quips, skits, and sketches, is he ready to talk about himself?

The Aussie outlaw comedian loses the leather jacket but keeps the foul mouth as he leans back on his new seat at the late-night comedy table.

The long-awaited return to “Twin Peaks” isn’t a return for some of its stars—it’s an introduction. And for Amy Shiels, the only newcomer to appear in every new episode, it’s been a long time coming.

Sad streaks, fatal flaws, and new generations of bullies are all laughing matters when you own it and clown it like Thomas Middleditch.

The candid comedian with the gift of gab brings his talking cure to the nation with “late-night daytime talk show” “Problematic.”

Gareth Edwards’s first crack at the series goes against type.

The “Jackie” composer—and leader of Micachu and the Shapes—shares her favorite moments in which film and music blend seamlessly to create the perfect scene.

True to his past, living in the present, and crafting visions of the future, Daveed Diggs travels through time—and wishes for more of it—on a mission to redefine “normal.”

What two of the best shows of the year say about our country as a community and a comedy, and why you should be watching.

FLOOD’s Download All pays tribute to the cult obsessions, strange thrills, and hidden rewards of Earth’s newest and most underestimated artform: the podcast.

Tenacious D’s fourth annual smorgasbord of music and comedy in LA blended the elation of the holiday weekend with the doom of the impending election—and brought some much welcomed talking for clapping for one performer in particular making his return to the stage.

Jack Black and Kyle Gass—a.k.a. JB and KG, a.k.a. Jables and Rage—talk Festival Supreme and twenty years of The D.

The Windy City–bred, LA-based comedian takes on the joys of concealed carry and Laotian honeymoons in his new Comedy Central special.

For the third edition of the LA foodie takeover, a friendly frenzy was prompted in the partakers’ own personal paradise.

Normal is never normal for the LA experimental hip-hop trio.

FLOOD’s Download All pays tribute to the cult obsessions, strange thrills, and hidden rewards of Earth’s newest and most underestimated artform: the podcast.

A good music festival for a bad year.

Download All pays tribute to the cult obsessions, strange thrills, and hidden rewards of Earth’s newest and most underestimated artform: the podcast.

While it searches for its heart, the banter and beatings give Shane Black’s action-comedy its wings.

Two of our film critics take on the latest installment in the intergalactic space opera in the preferred forum of pop-culture enthusiasts everywhere: the Gmail G-chat.

Believe your ears: the musical “Hamilton” really is an American dream.

Spielberg skips espionage thrills to focus on the drama found in decency

The long-awaited update to the Jurassic franchise is less theory, more chaos.

How “Mad Men”’s finale found a billion-dollar harmony between its two warring cultures.

The unexpected engine of “Mad Max: Fury Road”’s post-apocalyptic chase delivers a revolutionary thrill

Collaborators, fans, and the beloved cult director himself took to the United Artists Theatre stage to raise awareness and funds on the tenth anniversary of the David Lynch Foundation.

Flaws and all, David Robert Mitchell’s indie horror flick follows its own instincts with style and scares.

Will Forte, Phil Lord, and Christopher Miller’s post-apocalypse is just getting started.

Jemaine Clement and Taika Waititi’s mockumentary continues the hip reclamation of vampires

The writer/director of the critical smash “Whiplash” taps into our fear (and love) of tyrannical mentors