Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kim Gordon, Play Me
Fully embracing the trashy SoundCloud-era internet aesthetic as she raps, sings, and shreds over industrial clatter, this is the sound of an artist who’s still inspired by the cutting edge at 72.
The Notwist, News From Planet Zombie
This folksy, brassy new iteration of the German trio excels at melodies that yearn and churn with melancholy—yet still manages something celebratory.
Minnesota Artists United Against ICE, Melt ICE
This gigantic comp album featuring 110 Minnesotan artists raising funds for immigrant communities terrorized by ICE may also happen to be where you find your new favorite band.
Kim March
The Atlanta-based musician debuts “Element” ahead of the release of John Oluwole ADEkoje’s feature film.
The folk songwriter’s Jonathan Wilson–produced album is out now via Rounder Records.
The Kevin Morosky–directed clip includes needle drops for “Bad Company,” “Late Night People,” and “From a Lover.”
Inspired by The Wicker Man, the visual follows the songwriter’s recent Catching Rabbits EP.
The LA group’s sophomore LP Best Comedown Ever is out August 10.
The self-directed visual arrives on the heels of Liz Nistico’s stint at SXSW.
The visual arrives ahead of Galactic’s upcoming performance at New Orlean’s Jazz Fest on May 7.
Dante Jones breaks down the duo’s collaborations with Kacey Musgraves, Yung Bleu, Fana Hues, and more track by track.
The Australian group returns with their first new music since 2020’s Forever in Bloom.
“Wendy” will appear on the songwriter’s sophomore LP Beneath the Brightest Smiles, arriving June 23 on Jullian Records.
The Jonathan Rado–produced single preceded the German group’s US live debut at SXSW last month.
Jonathan Visger’s latest chapter incorporates a multimedia approach to vintage horror aesthetics.
The Australian singer’s debut album is out now via BunBun/BMG
Eyes of Glass will be released May 19 via KRO Records.
The single arrives with a Call Me by Your Name–inspired visual ahead of King’s opening set for Anna of the North at LA’s El Rey Theatre later this week.
A visual for “HIMBO” and “God’s Lonely Man” arrives ahead of the record’s May 19 release.
Originally released earlier this month, the single is the first new music from the duo since signing with Elektra Records.
The event will run from May 31 through July 2 across various venues in NYC.
The track arrives ahead of the Brooklyn-based songwriter’s latest record, Natural.
The cathartic single follows the Minneapolis trio’s signing to Big Loud Rock.
