Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Of Montreal, Aethermead
Kevin Barnes rallies something bracingly emotional on their 20th album in 30 years, sounding more crisply, contagiously, singularly psychedelic than they have in ages.
Olivia Rodrigo, You Seem Pretty Sad for a Girl So in Love
Teetering between the influences of ’80s new wave and ’90s alt-rock, the pop star’s third album is a journey from jubilant lovesickness to a fatalistic collapse into romantic decay.
Goose, Big Modern!
At once their most even-keeled and explosively hook-crowded album yet, the jam-grinding ensemble’s latest is a stretch toward something uniquely slick and end-timey.
Kim March
OA
In the new trailer, Prairie’s consciousness awakens in an alternate reality.
The Brooklyn indie-folk troupe’s third LP is set to drop May 3.
The four-hour film debuts on HBO next month.
Along with the announcement of supporting dates for Cherry Glazerr, the Boston indie trio return with a timely single.
To complement their apocalyptic sophomore record, the garage rockers compiled a playful soundtrack to the end times.
This Valentine’s Day, Lizzo has blessed us with the title track from her anticipated debut.
Hailing from Norway, the three-piece serve up ten tracks recalling last decade’s dream pop revival.
I don’t think I want a friend like Will Smith.
The LA songwriter shares a video for the jangly track from his upcoming Bar/None debut.
The Jim James–produced single is the latest teaser for the LA psych pop band’s debut LP.
The Liverpool four-piece’s third album What’s It Like Over There? is due out in April.
The indie three-piece follow up last year’s Spring EP with Nothing Happens, out March 22 on Atlantic.
King Gizzard and the Lizard Wizard / photo by Kirby Gladstein
The shape-shifting Australian psych act swap their gratuitous guitars for gratuitous keyboards.
The jangly Georgia fourpiece soundtracks intergenerational naps in a new video probably not inspired by Harmony Korine.
The Tigers Jaw and Goth Boi Clique leader adds some dreary imagery to “Suffer On”’s first single.
With the help of a few Jenny Lewis collaborators, the LA songwriter is turning six of her strongest tracks into the So Romantic EP.
The Philadelphia psych-folk songwriter spent a week in Europe in anticipation of his latest LP. We got some highlights.
The French version of the stellar A Million and One single gets a Euro house-inspired remix.
For his latest intricate synth-pop orchestration, Talos offers up a heartfelt video—despite its dark subject matter.
You have the N.A.S.A. producer’s blessing to make babies to his latest single.
