Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Anna Calvi, Is This All There Is?
The British songwriter returns with a four-song EP defined by theatrical arrangements and an actorish guest list featuring Iggy Pop, Laurie Anderson, Perfume Genius, and Matt Berninger.
Various artists, Red Xerox: Chicago Youth Beat 2020-2025
Spotlighting the diversity of Chicago’s underground scene, this comp is as much a symposium for genre-defying trailblazers as it is a no-skips playlists capturing the city’s budding youth-beat movement.
Cut Worms, Transmitter
Produced by Jeff Tweedy, Max Clarke’s fourth album tampers down the luster of past records, grounding aspects of the indie-folk songwriter’s music that once seemed impossibly pristine.
Margaret Farrell
The SBLV halftime show was an eerie representation of isolation and denial of death.
It’s the latest single from Portugal-based musician Guilherme Correia.
Featuring never-before-seen content, the “virtual time capsule” premieres tonight on YouTube.
The remix follows the trio’s quarantine-recorded “Remote” EP.
The track is featured in the Shaka King–directed film “Judas and the Black Messiah.”
“FLOWERS for VASES / descansos” is out at midnight.
“Pain Is Beauty,” indeed.
The supergroup, including Phoebe Bridgers and Lucy Dacus, jumped on the track off Baker’s forthcoming album “Little Oblivions.”
Younge releases the title track of his forthcoming album and announces a multimedia project.
Alicia Bognanno covers “Dry” from Harvey’s 1993 album “Rid Of Me.”
How everyone from Phoebe Bridgers and Soccer Mommy to Lady Gaga and Taylor Swift found escape from this hell year in fantasy.
Jordana Nye continues to experiment with crunching rock, hip-hop, and jazz into enticing three-minute morsels.
The classic rock–indebted LP is a delicious blend of sugary pop and cathartic rock.
From her sharp delivery and bite-me bravado, Meg flexes at 150 percent on her debut album.
Felix Walworth’s third LP documents some of the most massive and complex sounds they’ve ever dreamed up.
Ben Shemie and Liam O’Neill talk covering Zappa, becoming a conceptual band, and the restrictions of the LP format.
The tracks on the Big Thief vocalist’s double album are warm and spacious with high ceilings.
Morby’s sixth album is both cosmic and terrestrial, with tracks seeped in death and change.
The two songwriters talk collaboration, inspiration, and fighting the good fight.
This debut LP illustrates enthralling production, thoughtful suspicion, and poetic compassion.
