Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Searows, Death in the Business of Whaling
Alec Duckart’s nautically themed second album infuses its emotionally fragile indie-folk with a trudging heaviness that pushes toward doom-metal territory.
Camper, Campilation
Flush with a historic list of Black voices both past and present, the producer’s debut album sees him devise yet another way to remake the wheel of soul.
Alan Vega, Alan Vega [Deluxe Edition]
This remastering of the late Suicide frontman’s wired-weirdly rockabilly debut is bolstered by demos and scratch tracks that offer a rare glimpse into the artistic process.
Sadie Sartini Garner
In a year that’s gone off the rails, “Ohms” proves the alt-metal rockers’ ultimate act of resistance.
The author and philosopher (and former professional inline skater) tells us what it is to be awesome, and how to live with the power of awesomeness inside you.
In the post-Trump world, everyone has an obligation to be political. But that doesn’t mean that we still don’t want to dance. Miguel and Nadya Tolokonnikova are figuring out how to do both.
The quintessential rock-and-roller died Monday at the age of sixty-six.
From 2015’s “Dust and Disquiet.”
Like Jonny Greenwood and Shye Ben Tzur’s “Junun,” this is music that uses rhythm and repetition—and strategic departures from both—as ways of generating and shaping power; it is a suggestion of community.
Great record collectors make great records. Uh, sometimes.
Hundred Waters and Moses Sumney’s fourth-annual gathering reimagines what a music festival can be.
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Their audience didn’t understand them. Their label didn’t want to talk to them. Not to worry: For the Beastie Boys, it was a brand-new morning.
The confessional Nashville experimentalist delivers a pair of standouts from last year’s The Generation of Lift EP on a gray Icelandic morning.
Comedy—and particularly political comedy—only reinforces our bubbles. So what?
Tinariwen / photo by Marie Planeille
The Tuareg guitar masters return with “Elwan” on February 10.
“Throughout our history the state has presented the rationale that freedom is not free…. This song is an anti-thesis to that ideological fallacy.”
NE-HI / photo by Bryan Allen Lamb
The Chicago quartet head out of the garage in search of whatever comes next.
From québécois kraut-funk to the return of two of indie rock’s most celebrated sidemen, these are the unsung albums we’re most excited for this year.
photo by Stevan Alcala
The Austin ten-piece get an assist from the production work of Chris “Frenchie” Smith.
Futurebirds / photo by Anthony Pidgeon
The latest from the Oregon festival’s 2016–2017 season.
The Silver Lake Chorus / photo by Lehua Noelle
The LA group take on Sufjan Stevens’s frosty classic.
photo by Christophe Pastel
The African electronica auteur’s semi-self-titled album Alan Abrahams dropped in August.
photo by Brian Pritchard
The Fresh & Onlys frontman is releasing “Luck Man” on January 27.
