Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Reviews
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Various artists, Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers
These unheard tracks from Dirty Projectors, Daniel Lopatin, and more are hushed and raw, all crafted with the idea of evoking a sense of home to highlight those whose own are at risk.
HEALTH, Conflict DLC
The noise-rockers’ sixth LP is a full-on rush of nihilistic energy, a shattered disco ball serving as the perfect encapsulation of a world decimated by capitalistic greed at the expense of humanity.
Fucked Up, Year of the Goat
Made up of two nearly half-hour tracks, the hardcore experimentalists’ latest is artistically commendable and consistently intriguing, even if it tends to test the listener’s patience.
Matt Mitchell
Articles
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In Conversation
Horsegirl on Making Zines and Giving a Voice to the Youth of Chicago
With their debut LP Versions of Modern Performance out now, the band shares how the intersection of art and music has galvanized them.
June 08, 2022
20 Years After “The Big Come Up,” The Black Keys’ Hearts Are Still in Ohio
For the anniversary of the blues-rock duo’s debut record, we chatted with Patrick Carney about living up to the album’s title.
May 13, 2022
In Conversation
Kurt Vile on the Kaleidoscopic Odyssey of His Triumphant New Album“(watch my moves)”
We talked to Philly’s Constant Hitmaker about working at his new recording studio, his love for The Boss, and more.
April 14, 2022
First Listen
Emily Parrish’s “Drown” Is a Generous, Dreamy Reflection on Partnership
The Detroit-based songwriter shares her debut solo single, which was produced by Hala’s Ian Ruhala.
April 01, 2022
Reviews
Mitski, Laurel Hell
“Laurel Hell” is a perfect blend of angsty, pre-2018 Mitski and the disco-leaning, stadium-shaking new self she touted four years ago.
February 03, 2022
Film + TV
John Carpenter Finds Joy in Soundtracking the Gore of “Halloween Kills”
The Master of Horror talks soundtracking the latest installment of the horror franchise he launched over 40 years ago.
October 27, 2021
In Conversation
In Conversation: Kevin Devine on Giving New Life to Old Favorites on “Matter of Time II”
The Brooklyn native discusses looking back on his shape-shifting discography and looking forward to a future full of subscription platform options for artists.
September 09, 2021
In Conversation
In Conversation: Kevin Drew Soundtracks the Beauty of Voiceless Emotions on “Influences”
The Broken Social Scene co-founder discusses his new instrumental album as K.D.A.P.
August 02, 2021
Reviews
My Tree, “Where the Grace Is”
The Brooklyn duo’s second LP is a well-intentioned, slow-burn rumination on the gripes of American social and economical plight.
July 30, 2021
