With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Regal Cheer, Quite Good
At under 20 minutes, the sophomore album from the endearing Brighton duo is a jolt of punk-rock beauty, blissfully shambolic from start to finish.

Model/Actriz, Pirouette
The NYC-based project’s second album delights in its confident sense of chaos, with vocalist Cole Haden knowing full well there’s no way we’re going to avert our gaze for a single moment.

Car Seat Headrest, The Scholars
Channeling Ziggy Stardust’s glam transcendence, Will Toledo resurrects the album as a grandiose narrative vehicle while marking his valiant stride into the rock canon.
Matt Mitchell

With their debut LP Versions of Modern Performance out now, the band shares how the intersection of art and music has galvanized them.

For the anniversary of the blues-rock duo’s debut record, we chatted with Patrick Carney about living up to the album’s title.

We talked to Philly’s Constant Hitmaker about working at his new recording studio, his love for The Boss, and more.

The Detroit-based songwriter shares her debut solo single, which was produced by Hala’s Ian Ruhala.

“Laurel Hell” is a perfect blend of angsty, pre-2018 Mitski and the disco-leaning, stadium-shaking new self she touted four years ago.

The Master of Horror talks soundtracking the latest installment of the horror franchise he launched over 40 years ago.

The Brooklyn native discusses looking back on his shape-shifting discography and looking forward to a future full of subscription platform options for artists.

The Broken Social Scene co-founder discusses his new instrumental album as K.D.A.P.

The Brooklyn duo’s second LP is a well-intentioned, slow-burn rumination on the gripes of American social and economical plight.