With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Daft Punk, Discovery [Interstella 5555 Edition]
Reissued in honor of its complementary anime film’s 20th anniversary, the French house duo’s breakout LP feels like a time capsule for a brief period of pre-9/11 optimism.
The Coward Brothers, The Coward Brothers
Inspired by Christopher Guest’s recent radio play reviving Elvis Costello and T Bone Burnett’s 1985 fictional band, this playful debut album proves that this inside joke still has legs.
The National, Rome
A quarter century into their career, the Brooklyn band curates a rollicking setlist for a discography-spanning live double LP recorded in an aptly grand open-air Italian theater.
Matt Mitchell
With their debut LP Versions of Modern Performance out now, the band shares how the intersection of art and music has galvanized them.
For the anniversary of the blues-rock duo’s debut record, we chatted with Patrick Carney about living up to the album’s title.
We talked to Philly’s Constant Hitmaker about working at his new recording studio, his love for The Boss, and more.
The Detroit-based songwriter shares her debut solo single, which was produced by Hala’s Ian Ruhala.
“Laurel Hell” is a perfect blend of angsty, pre-2018 Mitski and the disco-leaning, stadium-shaking new self she touted four years ago.
The Master of Horror talks soundtracking the latest installment of the horror franchise he launched over 40 years ago.
The Brooklyn native discusses looking back on his shape-shifting discography and looking forward to a future full of subscription platform options for artists.
The Broken Social Scene co-founder discusses his new instrumental album as K.D.A.P.
The Brooklyn duo’s second LP is a well-intentioned, slow-burn rumination on the gripes of American social and economical plight.