Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 features 252 pages packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Depeche Mode, Memento Mori: Mexico City
The live album tied to the new-wave icons’ new concert film shows how a lifelong band persists through loss while maturing their dusky music and a deep connection to their audience.
Prince & The Revolution, Around the World in a Day [40th Anniversary Edition]
Besides its crystal-clear sound, the draw for this expanded singles collection is its curios such as the 22-minute “America” and Prince’s serpentine contribution to the We Are the World album.
La Luz, Extra! Extra!
Reworking tracks from 2024’s News of the Universe LP, Shana Cleveland emphasizes themes of change, non-determinism, and acceptance on an EP that aptly feels a little lonely.
Matt Mitchell
With their debut LP Versions of Modern Performance out now, the band shares how the intersection of art and music has galvanized them.
For the anniversary of the blues-rock duo’s debut record, we chatted with Patrick Carney about living up to the album’s title.
We talked to Philly’s Constant Hitmaker about working at his new recording studio, his love for The Boss, and more.
The Detroit-based songwriter shares her debut solo single, which was produced by Hala’s Ian Ruhala.
“Laurel Hell” is a perfect blend of angsty, pre-2018 Mitski and the disco-leaning, stadium-shaking new self she touted four years ago.
The Master of Horror talks soundtracking the latest installment of the horror franchise he launched over 40 years ago.
The Brooklyn native discusses looking back on his shape-shifting discography and looking forward to a future full of subscription platform options for artists.
The Broken Social Scene co-founder discusses his new instrumental album as K.D.A.P.
The Brooklyn duo’s second LP is a well-intentioned, slow-burn rumination on the gripes of American social and economical plight.
