Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Black Rebel Motorcycle Club, Howl [20th Anniversary Edition]
The garage-psych trio honor the underappreciated third album that gave them a second wind with a three-LP set featuring a photo album, handwritten lyrics, and more goodies from the era.
Mandy, Indiana, URGH
The Manchester quartet’s second album sees them screaming personal and political crises into the void over a techno noise-rock kaleidoscope that arouses the cyber-punk apocalypse.
Sassy 009, Dreamer+
A concept album about a doomed romance in an alternate world, Sunniva Lindgård’s alt-pop debut is gripping in fragments but difficult to grasp as a whole.
Matt Mitchell
With their debut LP Versions of Modern Performance out now, the band shares how the intersection of art and music has galvanized them.
For the anniversary of the blues-rock duo’s debut record, we chatted with Patrick Carney about living up to the album’s title.
We talked to Philly’s Constant Hitmaker about working at his new recording studio, his love for The Boss, and more.
The Detroit-based songwriter shares her debut solo single, which was produced by Hala’s Ian Ruhala.
“Laurel Hell” is a perfect blend of angsty, pre-2018 Mitski and the disco-leaning, stadium-shaking new self she touted four years ago.
The Master of Horror talks soundtracking the latest installment of the horror franchise he launched over 40 years ago.
The Brooklyn native discusses looking back on his shape-shifting discography and looking forward to a future full of subscription platform options for artists.
The Broken Social Scene co-founder discusses his new instrumental album as K.D.A.P.
The Brooklyn duo’s second LP is a well-intentioned, slow-burn rumination on the gripes of American social and economical plight.
