Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Butthole Surfers, After the Astronaut
The noise rockers’ long-shelved follow-up to Electriclarryland arrives as a fascinating artifact of a band caught between self-sabotage and the lure of commercial pop accessibility.
Sierra Spirit, Rodeo Clown
On her latest EP, the Native songwriter blends personal and ancestral histories with soft-plucked steel string and powwow drumming to create a shimmering portrait of her heritage.
Warning, Rituals of Shame
The pummeling hypnotism of the doom-metal band’s first new material in 20 years still feels perfectly matched to Patrick Walker’s pained howls and Vantablack-hued emotions.
Matt Mitchell
With their debut LP Versions of Modern Performance out now, the band shares how the intersection of art and music has galvanized them.
For the anniversary of the blues-rock duo’s debut record, we chatted with Patrick Carney about living up to the album’s title.
We talked to Philly’s Constant Hitmaker about working at his new recording studio, his love for The Boss, and more.
The Detroit-based songwriter shares her debut solo single, which was produced by Hala’s Ian Ruhala.
“Laurel Hell” is a perfect blend of angsty, pre-2018 Mitski and the disco-leaning, stadium-shaking new self she touted four years ago.
The Master of Horror talks soundtracking the latest installment of the horror franchise he launched over 40 years ago.
The Brooklyn native discusses looking back on his shape-shifting discography and looking forward to a future full of subscription platform options for artists.
The Broken Social Scene co-founder discusses his new instrumental album as K.D.A.P.
The Brooklyn duo’s second LP is a well-intentioned, slow-burn rumination on the gripes of American social and economical plight.
