With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Viagra Boys, viagr aboys
The Swedish post-punks’ fourth album combines half-assed humor with half-assed performances, filling in the void left by guitar-centric punk with demented synth tinkering.

Sunflower Bean, Mortal Primetime
The New York trio’s first self-produced album has a smooth, consistent, quietly confident sound quality that reflects the elegance that’s always been at their core.

BRUIT ≤, The Age of Ephemerality
The French post-rock band lyrically addresses the unthinkable progress and regression of our post-internet age via droning metal and modern-classical sound on their second LP.
Mike LeSuer

George Clanton, The Paranoyds, Surfbort, and others, explained.

The proggy Boston experimentalists celebrate release day with an arty new visual.

The third and final pre-album single from “Big Blue” is full of grungy longing.

Along with the news, the eclectic label offers up an early stream of Robedoor’s new record, “Negative Legacy.”

The power pop songwriter lives every artist’s dream and ranks ten of his stunning “Born Hot” self-portraits for us.

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The two-song pairing is the latest meditation on late capitalism from the Have a Nice Life side-project.

The folksy songwriter shares the first video from his podcast-released new album “Are You Feelin’ It.”

The title track to the genreless rapper’s latest LP plays on repeat to accommodate its lengthy visual.

The Phil Collins classic gets a spooky makeover for Dacus’s newly announced “2019” EP.

The reinvigorated Boston dance-punks look ahead on their latest single from their forthcoming “What Would the Odd Do?” EP.

The pulsing single is the third cut from their forthcoming Dais Records debut, “Private Life.”

The first official single from the two-day old album comes to life with a Johnny Jewel–directed video.

While touring LP “Braindrops,” the Australian band shares their secrets to being a rare innovative rock band in 2019.

The Portland-based synthwave group gives us something a bit more substantial to chew on as we anticipate “Dear Tommy.”

The “Ski” single comes to life with a lively black-and-white visual.

The fourth and final single precedes an October 4 release date for “Make Yourself at Home.”

Our Associate Editor’s favorite pre-released singles, album deep cuts, and tracks by unfairly obscure artists from the past few weeks.

The Irish noise-makers dig into the warped sounds of their experimental follow-up to 2015’s “Holding Hands with Jamie.”

The “Real Stories” track gets the ska treatment for Jeremy Hunter’s debut collection of covers.

Reggie Watts joins the band for a synthed-out rendition of “Daddi.”