Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Ella Langley, Dandelion
The pop-country songwriter understands the human weight of the American South’s emotionally rich tableau of high-speed heartbreak and low-light bars, as demonstrated on a resilient second album.
Sugar Horse, Not a Sound in Heaven
On their cleanest-sounding record yet, the doomy Bristol band’s idea of dance music feels perfectly suitable for the turbulent year 2026 has already proven to be.
Lime Garden, Maybe Not Tonight
The cocktail of frustration, insecurity, and lust that courses through the Brighton quartet’s buzzing and adventurous second album mirrors the trajectory of an energetic night out.
Mike LeSuer
Kenney performs the single from her newly released album “Sucker’s Lunch” in Oakland.
The debut single from the LA-based songwriter arrives with a goofy—if not relatable—visual.
Michael Hansford’s latest single—written immediately post-“Touchstone”—will be his last for some time.
The record is officially out tomorrow via Mama Bird Recording Co.
It’s the Brooklyn band’s second album, out soon via Good Eye Records.
Morimoto will set the stream live on his YouTube channel at 6 p.m. PST tonight.
James Wallace’s new record “The World Only Ends When You Die” drops October 23.
Jessica Dobson shares a self-animated lyric video for the single (which also includes guitar tabs).
Our Associate Editor’s favorite pre-released singles, album deep cuts, and tracks by unfairly obscure artists from the past few weeks.
They cite everything from Future to Rancid to Red House Painters as influences on their collaborative EP, out today.
The Chicago-based multi-instrumentalist shares fifteen songs he’s been jamming over the past few months.
The experimental offshoot of Local Natives turn their first album single into a guided meditation.
Baldi performs the “Black Hole Understands” singles outside Philly’s Please Touch Museum.
The Vancouver-based songwriter shares a playlist of inspirations for “Below the Salt” along with the Tennis-produced single.
Jenn Wasner and Andy Stack share some tracks that inspired their EP collaboration with the Brooklyn Youth Chorus.
In case you were wondering how will.i.am stacks up to Venetian Snares.
The National / photo by Molly Adams
The album, surprise-released today, features Dessner on eleven of its tracks.
With her new LP “mydata” out today, Dey lists off ten tracks that soothe her soul.
The songwriter’s Bad Vacation tour sees her play on St. Simon Island, Georgia.
The single arrives ahead of the D.C. band’s LP “Crystal,” out October 16.
