Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Lime Garden, Maybe Not Tonight
The cocktail of frustration, insecurity, and lust that courses through the Brighton quartet’s buzzing and adventurous second album mirrors the trajectory of an energetic night out.
MEMORIALS, All Clouds Bring Not Rain
The genre-hopping fifth LP from Verity Susman and Matthew Simms is more ornate and ambitious than their earlier material, though ultimately the whole is lesser than the sum of the parts.
Filth Is Eternal, Impossible World
Vibrant, dexterous, and unrelentingly compelling, the Seattle hardcore-punks’ fourth album sees them mature into a band adept at writing songs lasting more than two minutes.
Mike LeSuer
The Belarusian coldwave trio detail their third album, out today via Sacred Bones.
The emcee and producer talk us through their new LP covering everything from the pandemic to Black Lives Matter.
The underground icon details his lengthy eighth record and the universe it inhabits.
Recorded in the Preservation Hall Jazz Band’s studio in New Orleans, the LP is set to drop February 5.
With the rappers’ “FlySiifu’s” dropping this week, they made a playlist of their favorite joint tracks.
The track will lead off the Minneapolis band’s EP of the same name, out January 22 on Slumberland Records.
Pay what you want for the eight tracks Peggy’s put out since dropping “All My Heroes Are Cornballs.”
David Cohn and Greg Saunier’s improvisational album balances anxiety and quirk in a way only these two artists could.
The project formed by Huggy Bear’s Chris Rowley and Male Bonding’s John Arthur Webb has a record out via What’s Your Rupture? today.
EPSON MFP image
Andre and Vonne share 12 tracks that would make their set if they were given the aux at their favorite Central Florida dive right now.
The U.K. post-punks experiment with spoken word and famous whistlers on their latest single.
Our Senior Editor’s favorite pre-released singles, album deep cuts, and tracks by unfairly obscure artists from the past few weeks.
14 tracks from 2020 that sum up this skin-crawly year.
“Don’t Play It Straight” is out today, and features verses from Moor Mother, billy woods, Fielded, and more.
Tom Fec skips the clichés and gives us 85 minutes of sheer terror.
The New York rockers continue to make the most of a confusing 2020 with their second single this year.
Palermo recounts his band’s history of misfortunate recording sessions, and sheds light on how “The Great Dismal”—named after a swamp—may be more optimistic than he’d hoped.
The track is from the Californian band’s new LP “Love for the Lack of It,” which dropped last Friday.
The Oakland songwriter sheds some light on his complex new Americana rock opera.
The newly announced “Jockeys of Love” EP will be out January 29.
