Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
Mike LeSuer
“What Luck, Goodbye” arrives ahead of the Dirt Buyer vocalist’s album, out August 13 via Danger Collective.
Travis Egedy discusses connecting with 100% Electronica and GothBoiClique ahead of his latest LP.
The Bay Area post-punk collective’s latest release will arrive September 17 via Like LTD.
“The World Is Still Chaos, But I Feel Better” is out September 3 via Mello Music Group.
How “gimmick” films like “Tangerine” and “Victoria” provided Janicza Bravo’s new movie the shorthand needed to make it great.
The month’s most discourse-worthy singles, according to our Senior Editor.
The expanded version of the rapper’s 2020 album with Roper Williams drops tomorrow via POW Recordings.
Frank Maston shares a second single ahead of the release of his new album with L’Eclair, “Souvenir.”
The Nashville pop-punk collective walk us through their new album, out now via Triple Crown Records.
“Hall of Flying Mirrors in the Palace of Versailles” is the latest in Green’s series of ninja-themed tracks with high-profile emcees.
The punks return with a blistering new single featuring Mannequin Pussy’s Bear Regisford.
The project’s third LP—featuring R.E.M.’s Mike Mills and Superchunk’s Jon Wurster—is out now.
The new single arrives ahead of Monks’ teased new sophomore “I’ve Always Wanted to Be Me.”
The Fuck Buttons co-founder discusses themes of space and reinvention on his bold sophomore album.
Tom Freeman’s debut album drops today via Rise Records.
The video for their latest single arrives ahead of the Dutch duo’s “So Much for Gardening” EP.
Evan Mast’s latest collection of instrumental tracks will arrive August 27 via Because Music.
Matthew Urango’s long-awaited debut album drops this Friday via Record Makers/MGMT Records.
The John Carpenter collaborator performs the five tracks with accompaniment by John Spiker.
The cover follows d’Ecco’s recent “In Standard Definition” LP.
