Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kelsey Lu, So Help Me God
On their second LP, Lu taps Jack Antonoff and Yves Rothman to co-produce a fascinating tapestry of pop, R&B, electronica, classical, folk, and everything avant-garde in between.
Genghis Tron, Signal Fire
The cacophony of ideas on display on the transhumanist metal band’s dystopian fourth album reflects the relentless, manic digi-present we find ourselves in today.
Vince Staples, Cry Baby
On his first release away from Def Jam, the emcee spends more time looking outward than inward, peering into a communal politic with more rock to his roll than ever before.
Mike LeSuer
After a six-year break, Jim James and his band will release “My Morning Jacket” on October 22.
The group plays five of the album’s tracks—and debut a new single called “Miyajima, JP”—at Chicago’s Shirk Recording Studios.
The Oakland ensemble’s sixth album is out now via Easy Eye Sound.
Gareth Liddiard breaks down the band’s third LP track by track.
The latest track from the Cincinnati four-piece’s forthcoming album “Crocus” was six years in the making.
With his third album dropping this Friday, Duchovny shares what he and his band were listening to during the recording process.
Arriving with a video, the single precedes Brigham’s new LP “South Sinner Street,” out September 24 via Mello Music Group.
Pete Weiland, Tyler Soucy, and Tucker Yaro detail each track on their first album in nearly a decade.
The track precedes the West Coaster’s sophomore album, which is expected to arrive early next year via Park the Van.
The new track arrives alongside news of the Tampa Bay duo’s signing to Jagjaguwar.
The rap group’s first new music since the passing of emcee Stepa J. Groggs last year will arrive September 15.
The Portland psych-rockers’ latest album “Feels So Good // Feels So Bad” is out September 24 via Tender Loving Empire.
The cultural footprint of the spellbinding 1973 song about times tables and infinitude goes deeper than Elliott Smith and Noah Baumbach.
The single arrives ahead of Allie Cuva’s debut album Maybe Next Time, out August 27 via Other People Records.
Ahead of the release of his band’s new album “Huffy,” Murray counts down the most inspiring huffs committed by household-name artists.
The visual for the recent single arrives alongside a short set of West Coast tour dates.
The LA-via-Atlanta songwriter’s album is set to drop October 8.
The month’s most discourse-worthy singles, according to our Senior Editor.
Frank Ocean / photo by Joyce Jude
The fest’s co-founder Paul Tollett assures us the scheduled 2020 headliners will still take the stage—just not in the same year.
The Bloomington neo-soul group’s latest album is out now via Dead Oceans and Coalmine Records.
