With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Nia Archives, Silence Is Loud
With her debut collection of drum and bass music, the English musician comments on the history of a multitude of subgenres in a way that’s never navel-gazey and always assured.
girl in red, I’M DOING IT AGAIN BABY!
Marie Ulven’s revved-up sophomore LP is both fun and uncomfortable, a poperatic portrait of the artist fucking up and learning in real time.
Cloud Nothings, Final Summer
Though continuing to build off the blueprint of 2012’s Attack on Memory, Dylan Baldi replaces some of that early release’s angst with a measured positivity on the group’s eighth album.
Stephan Boissonneault
The latest album from Naomie de Lorimier’s aquatic pop outfit taps into the sensation of lucid dreaming to express the grandeur of the natural world.
With the Blur percussionist’s debut album Radio Songs out now, we discuss going solo and the wide variety of extracurriculars he’s been involved with since the Britpop icons’ hiatus.
The Toronto-based noise rockers’ upcoming LP We Found This arrives October 21 via Mothland.
Sebastian Murphy discusses how the post-punks’ latest album was inspired by conspiracy theories, humankind’s troglodytic beginnings, and a country-western aesthetic.
The chimerical record’s experimental powwow, psychic jazz, and gritty no-wave punk ranges from meditative to terrifying.
The single follows the Latvian neo-psych songwriter’s signing to Mothland.
The post-everything krautrockers’ sophomore album is a towering release fit for nebulous contemplation and feelings of foreboding astral projection.
The freakout post-punk group’s debut EP is the perfect musical cocktail of the appealingly bizarre.
Grian Chatten discusses the seediest parts of the band’s new album and his ever-changing relationships with Dublin and London.
“Subterranea,” the second album from the icy-hot psychedelic post-punks, arrives March 25 via Mothland.
The sonically crippling debut EP from the avant-punk five-piece feels like a hematic out-of-body experience.