With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Bruce Springsteen, Tracks II: The Lost Albums
This new box breaks down seven well-framed sets of sessions spanning 1983 to 2018, essentially designed as full-album capsules of mood previously deemed unfit for canonization.

Gelli Haha, Switcheroo
The songwriter’s debut is carefree, sleazy, fundamentally arresting dance music—a multi-sensory circus serving to wallpaper the halls of dance-pop history with neon, acid-tinged nonsense.

Wavves, Spun
The LA band’s eighth LP eschews distortion in favor of a cleaner pop-punk sound that both spotlights Nathan Williams’ songwriting chops and dulls the project’s compelling eccentricities.
Will Schube

The second in our three-part interview series on the future of Quality Control Music hones in on two artists at the center of QC’s global vision, and features exclusive “Neighborhoods” performances from both artists.

The first in a three-part interview series on the future of Quality Control Music—the label that launched Migos, Lil Yachty, Lil Baby, and City Girls—starts at the top with a conversation with the rap-dominating label’s CEO and COO.

billy woods and ELUCID tell us how their recent record with The Alchemist came together, and share a few of their favorite Alc records.

Walker’s latest is a powerful record of prog and jamming and lyrics that are just clever enough to not be silly.

The ensemble’s 7th album is resistance music built off the back of the most difficult year in the modern era.

Florence Shaw’s biting delivery steals the show and elevates the album to great heights.

The Fresh & Onlys vocalist’s latest illustrates why he’s a trusted source for catchy hooks and jangly tunes.

The co-director of the new documentary on the outlaw country icon discusses her film and Clark’s influence on her life.

This deluxe edition offers a nice slew of remixes and demos, but its best function is a reminder of how good TPC was the first time around.

The album functions as a sample pack for aspiring producers, introducing a number of styles that Muggs handles with ease.

Jeremy Earl and Glenn Donaldson construct an effortless cascade of pastoral psych-folk on their debut.

The pair’s second release of 2021 smoothly builds on the chemistry they established on that first tape.

The band talks addiction, recovery, and their hiatus—and how these elements led to their heaviest album to date.

The musician talks grief, her memoir, releasing songs without the pressure of a record press cycle, and her struggle with writing happy tunes.

Yoni Wolf details the impulse and happenstance that informed the band’s fractured new album.

Following the band’s Shaky Knees set, Conor Murphy wrestles with musical and existential questions.

There are fewer layers, less fireworks; every part coalesces quietly.

White Denim
When they’re not on the road, James Petralli and Steve Terebecki are taking creative control with their own studio.

On “Guns,” the Detroit rapper continues to defy assigned labels.

The first-time filmmaker on becoming a documentarian-of-all-trades—and trying not to miss anything.