Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Cut Worms, Transmitter
Produced by Jeff Tweedy, Max Clarke’s fourth album tampers down the luster of past records, grounding aspects of the indie-folk songwriter’s music that once seemed impossibly pristine.
Kim Gordon, Play Me
Fully embracing the trashy SoundCloud-era internet aesthetic as she raps, sings, and shreds over industrial clatter, this is the sound of an artist who’s still inspired by the cutting edge at 72.
The Notwist, News From Planet Zombie
This folksy, brassy new iteration of the German trio excels at melodies that yearn and churn with melancholy—yet still manages something celebratory.
Will Schube
The second in our three-part interview series on the future of Quality Control Music hones in on two artists at the center of QC’s global vision, and features exclusive “Neighborhoods” performances from both artists.
The first in a three-part interview series on the future of Quality Control Music—the label that launched Migos, Lil Yachty, Lil Baby, and City Girls—starts at the top with a conversation with the rap-dominating label’s CEO and COO.
billy woods and ELUCID tell us how their recent record with The Alchemist came together, and share a few of their favorite Alc records.
Walker’s latest is a powerful record of prog and jamming and lyrics that are just clever enough to not be silly.
The ensemble’s 7th album is resistance music built off the back of the most difficult year in the modern era.
Florence Shaw’s biting delivery steals the show and elevates the album to great heights.
The Fresh & Onlys vocalist’s latest illustrates why he’s a trusted source for catchy hooks and jangly tunes.
The co-director of the new documentary on the outlaw country icon discusses her film and Clark’s influence on her life.
This deluxe edition offers a nice slew of remixes and demos, but its best function is a reminder of how good TPC was the first time around.
The album functions as a sample pack for aspiring producers, introducing a number of styles that Muggs handles with ease.
Jeremy Earl and Glenn Donaldson construct an effortless cascade of pastoral psych-folk on their debut.
The pair’s second release of 2021 smoothly builds on the chemistry they established on that first tape.
The band talks addiction, recovery, and their hiatus—and how these elements led to their heaviest album to date.
The musician talks grief, her memoir, releasing songs without the pressure of a record press cycle, and her struggle with writing happy tunes.
Yoni Wolf details the impulse and happenstance that informed the band’s fractured new album.
Following the band’s Shaky Knees set, Conor Murphy wrestles with musical and existential questions.
There are fewer layers, less fireworks; every part coalesces quietly.
White Denim
When they’re not on the road, James Petralli and Steve Terebecki are taking creative control with their own studio.
On “Guns,” the Detroit rapper continues to defy assigned labels.
The first-time filmmaker on becoming a documentarian-of-all-trades—and trying not to miss anything.
