Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Kelsey Lu, So Help Me God
On their second LP, Lu taps Jack Antonoff and Yves Rothman to co-produce a fascinating tapestry of pop, R&B, electronica, classical, folk, and everything avant-garde in between.
Genghis Tron, Signal Fire
The cacophony of ideas on display on the transhumanist metal band’s dystopian fourth album reflects the relentless, manic digi-present we find ourselves in today.
Vince Staples, Cry Baby
On his first release away from Def Jam, the emcee spends more time looking outward than inward, peering into a communal politic with more rock to his roll than ever before.
FLOOD Staff
The Denver duo keep their heads in the clouds.
In case you happen to be looking for an excuse to get out of the country for a bit.
photo by Cara Robbins
The former Passion Pit member confronts the loss of love and his sense of self on his new album “Muffin.”
The recent City Slang signee played a sundown set for us in her hometown of Tel Aviv.
Prince-approved and straight from Australia, the funk-rock maestro was in support of his upcoming LP, “Smoke Fire Hope Desire.”
Taken from the “AMMA RMXD” LP, out now via Foehn.
Mute your TV. Turn up your stereo.
The darkwave Brooklyn band released “If Language” back in September.
photo by Sean Macneil
The New York quartet’s new album Bloodshot Tokyo is out February 3.
Radiohead, Beyoncé, and Kendrick Lamar are your headliners.
Our pals from the worlds of music, film, and TV offer their lists for the best of the year.
Our favorite tracks of the year, (almost) all in one place.
Media’s boundaries are more porous than ever, and great artwork abounds. So does weirdness.
Has the era of the antihero come to an end?
Don’t get too comfortable.
Great year for music, terrible year for everything else.
The Brooklyn duo’s ludicrously titled second album, “You Can Catch a Lobster With Eggs But Not Egg Salad,” is out February 10.
At this point, we’ll take any excuse to celebrate.
photo by Todd Walberg
The onetime sound guy for Portugal. The Man has a sound of his own.
day_wave-2016-original_tracks_screenshot
The Oakland-based dream pop act brought their chill to the Original Penguin store in Chicago—sans rhythm section.
