Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
FLOOD Staff
photo by Ziv Sade
Must be nice to have talented fans.
photo by Ryan Hunter
The well-traveled DJ/producer/label-boss is showing people how to travel with a new line of bags and luggage.
photo by Ip Hoi Wan
Taken from the album of the same name, out June 9.
The group’s latest is out March 31 via Burger.
FRENSHIP / photo by Matthew Kanzler
Black Lips, Karen Elson, Middle Kids, and more helped us take over Cedar Street.
The New Jersey quartet are releasing “Down on the Sunset Strip” on Friday.
photo by Ziv Sade
“Shout It Out” is out now via Digital Monkey.
To celebrate FLOODfest at SXSW, we wanted to offer up something for everyone—regardless of whether you can make it out to Austin.
photo by Justin Borucki
Taken from last year’s “Our Love in the Light.”
Reggie Watts / photo by Ryan Hunter
There was charred bone-in ribeye, foie sauce, potato aligot, a group of creative minded friends and a music man who’s freestyle technique blazed the path through sound and food.
We’re teaming up with our friends at Deep Eddy to officially say smell ya later to 2016.
We’re bringing the noise back to the Cedar Street Courtyard in Austin, Texas, on Thursday, March 16, and Friday, March 17.
The Austin post-rock ensemble takes flight.
Jake Ewald takes on “Palmcorder Yajna,” from “We Shall All Be Healed.”
From the singer-songwriter’s forthcoming “Now I Feel Adored.”
photo by Adam Maresca
YG, TV on the Radio, and a whole lot of snowboarders get high in LA.
In case you don’t already know. Seems like pertinent info.
From the forthcoming “Who Cares About Tomorrow.”
photo by Todd Weaver
Plus Xander Singh lends a hand.
Analog synths, gentle moods, and “Doctor Who.”
