With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Saint Etienne, The Night
Over 30 years after their debut, the Vaseline-lensed electro-pop trio still titillates without any consideration of boundaries as they continue their recent shift toward spectral-sounding gravitas.
Daft Punk, Discovery [Interstella 5555 Edition]
Reissued in honor of its complementary anime film’s 20th anniversary, the French house duo’s breakout LP feels like a time capsule for a brief period of pre-9/11 optimism.
The Coward Brothers, The Coward Brothers
Inspired by Christopher Guest’s recent radio play reviving Elvis Costello and T Bone Burnett’s 1985 fictional band, this playful debut album proves that this inside joke still has legs.
Kurt Orzeck
Ty Segall’s second self-titled album serves as an excellent primer of his career to date—but then again he always is a trickster at heart.
Japanese artist Azuma Makoto turns deconstructed floristry into fine art.
The Los Angeles artist surveys the scene from her Mt. Washington home studio.
The entertainer’s gravitas was undeniable in the glow of the Bowl—his first time playing with a live orchestra.
With tensions at a neck-popping high, the unconventional political convention tries to knead a little levity into the political conversation.
Even before it was shaping the national conversation and hosting sitting presidents, The Daily Show was skewering the way the media delivers the news. Ahead of their panel at Politicon, the show’s creators and early correspondents tell us how it all came together.
Before they became astro creeps, White Zombie were a horror-influenced no-wave group in the New York underground.
With the California sun in his eyes, the dark master of atmosphere and ambience has just released his lightest-ever record, the appropriately titled “Love Streams.” But that doesn’t mean he’s going soft.
All good things come to an end.
Parquet Courts possess a unique skill: making each of their albums sound as if it was their first.
Stirring up dirt in the Joshua Tree desert with Iggy Pop and Josh Homme—the world’s smartest Dum Dum Boys—to talk “Post Pop Depression,” this year’s most devastating rock album.
Ariel Rechtshaid knows how to pick ’em.
With some infectious dance moments in the mix, “A Man Alive” is a complex journey into the soul with life-affirming side effects.
So Pitted pulls the cloth off the table, but instead of trying to execute a magic trick, the band gleefully lets all the dishes crash to the floor.
Nathan Rodriguez and his band are boldly going where no rock band has gone before—and fucking around a bit, too.
Canada’s greatest post-rock band provokes introspection, obedience, and awe.
“On Nature” continues to energetically vacillate between tight and drifting experimentation.
This weekend’s fourth edition of the massive alternative comedy fest sprawls across downtown Los Angeles.
All of your favorite comics—and their favorite comics—will be in downtown LA this weekend.
“★” (pronounced “Blackstar”) nestles in with his kraut-favoring releases, with Bowie deferring much of the limelight to sax, flute, keys, bass, and drums.