Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Morrissey, Make-Up Is a Lie
It isn’t always hard to trick ourselves into remembering Moz as he once was on this return-to-form solo LP as he matches mischievous observations with a winning brand of melancholy pop.
Bill Callahan, My Days of 58
Well-observed, a bit absurd, and wholly singular, this “hobo stew” permits each instrument and each musical idea to embrace Callahan’s discursive lyrical and structural style.
Flying Lotus, Big Mama
A hodgepodge of electronic textures, genres, and styles, the artist’s proper debut for his own Brainfeeder label feels improvisational despite its meticulous craftsmanship.
Margaret Farrell
Today is Wednesday, but it marks the tenth anniversary of the viral video.
The eight-episode series airs March 26 via the National Geographic Channel.
The track originally appeared on Garzón-Montano’s 2020 album “Agüita.”
The track arrives ahead of their forthcoming album “Constellations,” out March 26.
The SBLV halftime show was an eerie representation of isolation and denial of death.
It’s the latest single from Portugal-based musician Guilherme Correia.
Featuring never-before-seen content, the “virtual time capsule” premieres tonight on YouTube.
The remix follows the trio’s quarantine-recorded “Remote” EP.
The track is featured in the Shaka King–directed film “Judas and the Black Messiah.”
“FLOWERS for VASES / descansos” is out at midnight.
“Pain Is Beauty,” indeed.
The supergroup, including Phoebe Bridgers and Lucy Dacus, jumped on the track off Baker’s forthcoming album “Little Oblivions.”
Younge releases the title track of his forthcoming album and announces a multimedia project.
Alicia Bognanno covers “Dry” from Harvey’s 1993 album “Rid Of Me.”
How everyone from Phoebe Bridgers and Soccer Mommy to Lady Gaga and Taylor Swift found escape from this hell year in fantasy.
Jordana Nye continues to experiment with crunching rock, hip-hop, and jazz into enticing three-minute morsels.
The classic rock–indebted LP is a delicious blend of sugary pop and cathartic rock.
From her sharp delivery and bite-me bravado, Meg flexes at 150 percent on her debut album.
Felix Walworth’s third LP documents some of the most massive and complex sounds they’ve ever dreamed up.
Ben Shemie and Liam O’Neill talk covering Zappa, becoming a conceptual band, and the restrictions of the LP format.
