Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
Mike LeSuer
Their “love song to tinnitus” introduces the Boston grunge outfit’s latest release, “Let the Shit House Burn Down.”
The retrospective collection kicks off with three reissued Haunted Graffiti LPs, all out October 25 on Mexican Summer.
The ambient new single from “Face Stabber” is paired with an eerie video.
The U.K. rapper stepped into the Like a Version booth to cover the 2005 Gorillaz single.
The Aussie jangle pop group describe their new album in not entirely un-Burroughs-like terms.
Jade Lilitri offers up ten tracks that informed the sounds of his band’s latest LP.
The single arrives ten days after their native U.K. elected a new PM. Weird!
Modern Baseball’s Jake Ewald gives us the play-by-play for his Americana-conscious solo project’s third album.
Our Associate Editor’s favorite pre-released singles, album deep cuts, and tracks by unfairly obscure artists from the past few weeks.
The Philly trio serenade dates in the video for the second single from “If you’re not afraid, I’m not afraid.”
Justin Vernon and crew talk the intimate nature of new album “i,i” in WeTransfer-produced film.
The “Babadook” writer/director is ready to terrify you all over again with her new film.
The jangly Glasgow band follow up their 2017 debut with a pair of tracks set for an August 30 release.
Celebrating (approximately) ten years of the songwriter’s first and most unpronounceable release.
The Tampa rapper/producer takes cues from past collaborators Daveed Diggs and JPEGMAFIA on the eleven experimental tracks.
From Red House Painters to Oneohtrix Point Never, the Philly rockers give some context for their experimental new record.
The filmmaker discusses father figures, the nuclear family, and the contradictions of the American utopia as they relate to his new feature.
The three new tracks complement the Brooklyn band’s dreamy debut released last year.
Zachary Cole Smith returns with his band’s third album, due out October 4 on Captured Tracks.
The jangly surf rockers unveil their upcoming tour plans along with the Kiran J. Callinan–featuring clip.
