Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Various artists, Red Xerox: Chicago Youth Beat 2020-2025
Spotlighting the diversity of Chicago’s underground scene, this comp is as much a symposium for genre-defying trailblazers as it is a no-skips playlists capturing the city’s budding youth-beat movement.
Cut Worms, Transmitter
Produced by Jeff Tweedy, Max Clarke’s fourth album tampers down the luster of past records, grounding aspects of the indie-folk songwriter’s music that once seemed impossibly pristine.
Kim Gordon, Play Me
Fully embracing the trashy SoundCloud-era internet aesthetic as she raps, sings, and shreds over industrial clatter, this is the sound of an artist who’s still inspired by the cutting edge at 72.
Mike LeSuer
The second single from Robert Alfons’ second album in the “Destroyer” series takes the project in a somber direction.
According to Jeff Tweedy, Kari Faux, James Blake, and more, “All My Heroes Are Cornballs” will let us down September 13.
The versatile rapper looks fondly upon the past in the clip for the “Sans Soleil” single.
The punk anthem precedes the project’s split with Graduating Life, out September 12 via Pure Noise/Epitaph.
The slowcore project of Montreal songwriter Michael Hansford shares its second single from the forthcoming “Touchstone” LP.
Alongside news of a sophomore album in tow, the Philly songwriter made us a list of ten tracks she considers to be flawless.
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The third installment in the band’s recent singles series is a moody plea for escape.
Sam Hall cites (Sandy) Alex G, Katie Dey, and Ricky Eat Acid as favs from the Grand Rapids–based label.
Berdan talks the cult Wes Craven film, cultural isolation, and his band’s latest collaboration with The Body.
There’s a new Peggy track called “Jesus Forgive Me, I Am a Thot,” and it hardly breaks the top ten.
HEALTH / photo by Andy Sawyer
With Show Me the Body rounding out the bill, you’re gonna be susceptible to conversion this December.
Caroline White lists three albums she’s proud to share a label with.
Tyler, the Creator / photo by Carlo Cavaluzzi
With one mystery headliner yet to be announced, of course “Frank Ocean” is trending on Twitter.
The Chicago rapper defies cliché by addressing five different forms of love on his new EP.
The experimental producer lists ten tracks that helped her keep things fresh while writing “DEATH DRIVE.”
The exploratory new record from the Austin duo is out October 18 via Double Double Whammy.
Their “love song to tinnitus” introduces the Boston grunge outfit’s latest release, “Let the Shit House Burn Down.”
The retrospective collection kicks off with three reissued Haunted Graffiti LPs, all out October 25 on Mexican Summer.
The ambient new single from “Face Stabber” is paired with an eerie video.
The U.K. rapper stepped into the Like a Version booth to cover the 2005 Gorillaz single.
