With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Bruce Springsteen, Tracks II: The Lost Albums
This new box breaks down seven well-framed sets of sessions spanning 1983 to 2018, essentially designed as full-album capsules of mood previously deemed unfit for canonization.

Gelli Haha, Switcheroo
The songwriter’s debut is carefree, sleazy, fundamentally arresting dance music—a multi-sensory circus serving to wallpaper the halls of dance-pop history with neon, acid-tinged nonsense.

Wavves, Spun
The LA band’s eighth LP eschews distortion in favor of a cleaner pop-punk sound that both spotlights Nathan Williams’ songwriting chops and dulls the project’s compelling eccentricities.
Mike LeSuer

The track arrives ahead of the LA-based dark-pop producer’s latest LP “You and I Will Never Die.”

Ben Katzman’s latest project features contributions from Colleen Green and members of illuminati hotties and Potty Mouth.

The Montreal-based post-rock/psych trio will release the record May 21 via Mothland.

Homeboy Sandman, Quelle Chris, Joell Ortiz, Murs, and Mr. Lif also appear on “Bushido,” arriving April 2.

The very normal merch item will be limited to 36 units, and will not be available for Bandcamp Friday.

The experimental pop opus “Eau de Bonjourno” arrives this Friday via Telephone Explosion.

The Miami group shares another single from their debut EP “As Sweet as I Was,” which drops next Friday.

Stevie Knipe lists a dozen tracks that helped shape their latest LP, which drops this Friday on Epitaph.

The month’s most discourse-worthy singles, according to our Senior Editor.

Adam Wiltzie provides a necessary field guide for the stage production soundtrack’s experimental orchestral drone.

With the film trilogy’s 20th anniversary creeping up, here’s something new to consider when rewatching it for the dozenth time: It is a movie about childbirth.

The Danish-Chilean composer cites Dean Blunt, Cocteau Twins, and Philip Glass as artists who have helped shape her aesthetic.

The Rhode Island band’s latest will be self-released tomorrow.

She broke the news in a new interview with “I May Destroy You” creator Michaela Coel for The Face.

The title track arrives ahead of Randall Taylor’s latest collection of ambient drone, due out April 2 on The Flenser.

The latest collection of bedroom pop recordings from Aaron Powell arrives April 23 via Orchid Tapes.

Michael Doherty tells us what inspired the group’s Run for Cover debut.

The band formerly known as Shin Guard explain their shift in sound on the project’s four songs.

The song from his forthcoming debut record is “a ballad for people that want to watch it burn.”

“Blah” sets the stage for the jazzy no wave group’s latest LP, out April 23 via Ramp Local.