Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Of Montreal, Aethermead
Kevin Barnes rallies something bracingly emotional on their 20th album in 30 years, sounding more crisply, contagiously, singularly psychedelic than they have in ages.
Olivia Rodrigo, You Seem Pretty Sad for a Girl So in Love
Teetering between the influences of ’80s new wave and ’90s alt-rock, the pop star’s third album is a journey from jubilant lovesickness to a fatalistic collapse into romantic decay.
Goose, Big Modern!
At once their most even-keeled and explosively hook-crowded album yet, the jam-grinding ensemble’s latest is a stretch toward something uniquely slick and end-timey.
Mike LeSuer
Isabel Olive pairs her recent single “Afraid of Horses” with eleven more equine-themed tracks.
It’s the first of two EPs the Haitian-American emcee has promised to release this summer.
The MN punks’ debut full-length dropped last week via Forged Artifacts.
With no new music from TV on the Radio since 2014, it’s time to get familiar with the vocalist’s film and TV work.
Amélie Rousseaux celebrates one year of “Waves” with an experimental new take on the single.
Kenney performs the single from her newly released album “Sucker’s Lunch” in Oakland.
The debut single from the LA-based songwriter arrives with a goofy—if not relatable—visual.
Michael Hansford’s latest single—written immediately post-“Touchstone”—will be his last for some time.
The record is officially out tomorrow via Mama Bird Recording Co.
It’s the Brooklyn band’s second album, out soon via Good Eye Records.
Morimoto will set the stream live on his YouTube channel at 6 p.m. PST tonight.
James Wallace’s new record “The World Only Ends When You Die” drops October 23.
Jessica Dobson shares a self-animated lyric video for the single (which also includes guitar tabs).
Our Associate Editor’s favorite pre-released singles, album deep cuts, and tracks by unfairly obscure artists from the past few weeks.
They cite everything from Future to Rancid to Red House Painters as influences on their collaborative EP, out today.
The Chicago-based multi-instrumentalist shares fifteen songs he’s been jamming over the past few months.
The experimental offshoot of Local Natives turn their first album single into a guided meditation.
Baldi performs the “Black Hole Understands” singles outside Philly’s Please Touch Museum.
The Vancouver-based songwriter shares a playlist of inspirations for “Below the Salt” along with the Tennis-produced single.
Jenn Wasner and Andy Stack share some tracks that inspired their EP collaboration with the Brooklyn Youth Chorus.
