Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Portrayal of Guilt, …Beginning of the End
The Austin trio pushes into new territories within the frameworks of hardcore and metal, inserting flourishes of trip-hop, nu metal, and even Memphis rap into their aggressive package.
VINSON, Raw Honey
The debut album from the Detroit-reared artist jumps from jazz to electronica to R&B while always maintaining a cohesive structure of easy Sunday-morning vibes.
Friko, Something Worth Waiting For
With their second album, the Chicago band sheds their tough noise-pop exterior to reveal a more delicate sound—and emotional truisms to match—as they grow more confident.
Mike LeSuer
Murs and Zack Fox also appeared on the “Eric Andre Show” bit.
It’s the second single from Savanna Dickhut’s forthcoming debut record, “Late Bloomer.”
Ahead of the release of “I saw first light,” the songwriter shares four records that best define the label for her.
The drummer’s sophomore solo LP is out January 15 via Joyful Noise.
Justin Broadrick reflects upon this grey, dragging moment in history, highlighting the beauty we tend to ignore.
The Belarusian coldwave trio detail their third album, out today via Sacred Bones.
The emcee and producer talk us through their new LP covering everything from the pandemic to Black Lives Matter.
The underground icon details his lengthy eighth record and the universe it inhabits.
Recorded in the Preservation Hall Jazz Band’s studio in New Orleans, the LP is set to drop February 5.
With the rappers’ “FlySiifu’s” dropping this week, they made a playlist of their favorite joint tracks.
The track will lead off the Minneapolis band’s EP of the same name, out January 22 on Slumberland Records.
Pay what you want for the eight tracks Peggy’s put out since dropping “All My Heroes Are Cornballs.”
David Cohn and Greg Saunier’s improvisational album balances anxiety and quirk in a way only these two artists could.
The project formed by Huggy Bear’s Chris Rowley and Male Bonding’s John Arthur Webb has a record out via What’s Your Rupture? today.
EPSON MFP image
Andre and Vonne share 12 tracks that would make their set if they were given the aux at their favorite Central Florida dive right now.
The U.K. post-punks experiment with spoken word and famous whistlers on their latest single.
Our Senior Editor’s favorite pre-released singles, album deep cuts, and tracks by unfairly obscure artists from the past few weeks.
14 tracks from 2020 that sum up this skin-crawly year.
“Don’t Play It Straight” is out today, and features verses from Moor Mother, billy woods, Fielded, and more.
Tom Fec skips the clichés and gives us 85 minutes of sheer terror.
