Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
Mike LeSuer
Ahead of the release of his band’s new album “Huffy,” Murray counts down the most inspiring huffs committed by household-name artists.
The visual for the recent single arrives alongside a short set of West Coast tour dates.
The LA-via-Atlanta songwriter’s album is set to drop October 8.
The month’s most discourse-worthy singles, according to our Senior Editor.
Frank Ocean / photo by Joyce Jude
The fest’s co-founder Paul Tollett assures us the scheduled 2020 headliners will still take the stage—just not in the same year.
The Bloomington neo-soul group’s latest album is out now via Dead Oceans and Coalmine Records.
photo by Coley Brown
The single follows a handful of one-off tracks and collaborations, most recently appearing on Rostam’s “Changephobia” LP.
The new single follows “I Am Who I Think You Think I Am,” the band’s first new music in two years, which was released last month.
The track arrives ahead of the LA experimental rockers’ remixed version of “Enjoy Yourself,” which drops August 6 via Plastic Smiles.
The visual arrives ahead of the two-year anniversary cassette reissue of their debut LP “The Natural World,” arriving August 30 via Moon Physics.
“Everything Is Broken, Maybe That’s O.K.” arrives September 17 via Shea Stadium Records and Freeman Street.
The LA-based songwriter’s debut album will arrive later this year along with a pair of West Coast dates alongside George Clanton, Negative Gemini, and Magdalena Bay.
The Indianapolis rapper offers a preview of his latest release, out tomorrow via Near Mint Records.
The visual accompanies a track from the electronic musician’s recently released debut album, “Daymaker.”
“City of Police” marks the Chicago post-punks’ first release with Exploding in Sound Records.
The VIDEOTAPEMUSIC-directed clip soundtracks the track from Abe’s debut solo LP “Fantasia.”
The collaboration between the NYC emcee and Phoenixville producer is out today via Coalmine Records.
The Philly ska revivalists’ new track arrives ahead of their LP “Nice One,” out August 6.
Nick Levine reveals a playlist of influences on their debut record, out this Friday via Sooper Records.
The track arrives ahead of “Loudmouth,” the Minneapolis four-piece’s album due out July 30 via Get Better Records.
