With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Sufjan Stevens, Carrie & Lowell [10th Anniversary Edition]
Padded out with a personal essay, family photos, and outtakes, this re-release of Stevens’ album-length eulogy permits yet another return to the 1980s Oregon of the artist’s memory.

Alan Sparhawk, With Trampled by Turtles
Far more mournful than his solo debut from last year, the former Low member’s collaboration with the titular bluegrass band is drenched in sorrow, absence, longing, and dark devastation.

Cola Boyy, Quit to Play Chess
Despite bristling with Matthew Urango’s familiar cotton-candied disco, the late songwriter and activist’s sophomore album also opens the floodgates to everything else he seemed capable of.
Mike LeSuer

The cultural footprint of the spellbinding 1973 song about times tables and infinitude goes deeper than Elliott Smith and Noah Baumbach.

The single arrives ahead of Allie Cuva’s debut album Maybe Next Time, out August 27 via Other People Records.

Ahead of the release of his band’s new album “Huffy,” Murray counts down the most inspiring huffs committed by household-name artists.

The visual for the recent single arrives alongside a short set of West Coast tour dates.

The LA-via-Atlanta songwriter’s album is set to drop October 8.

The month’s most discourse-worthy singles, according to our Senior Editor.

Frank Ocean / photo by Joyce Jude
The fest’s co-founder Paul Tollett assures us the scheduled 2020 headliners will still take the stage—just not in the same year.

The Bloomington neo-soul group’s latest album is out now via Dead Oceans and Coalmine Records.

photo by Coley Brown
The single follows a handful of one-off tracks and collaborations, most recently appearing on Rostam’s “Changephobia” LP.

The new single follows “I Am Who I Think You Think I Am,” the band’s first new music in two years, which was released last month.

The track arrives ahead of the LA experimental rockers’ remixed version of “Enjoy Yourself,” which drops August 6 via Plastic Smiles.

The visual arrives ahead of the two-year anniversary cassette reissue of their debut LP “The Natural World,” arriving August 30 via Moon Physics.

“Everything Is Broken, Maybe That’s O.K.” arrives September 17 via Shea Stadium Records and Freeman Street.

The LA-based songwriter’s debut album will arrive later this year along with a pair of West Coast dates alongside George Clanton, Negative Gemini, and Magdalena Bay.

The Indianapolis rapper offers a preview of his latest release, out tomorrow via Near Mint Records.

The visual accompanies a track from the electronic musician’s recently released debut album, “Daymaker.”

“City of Police” marks the Chicago post-punks’ first release with Exploding in Sound Records.

The VIDEOTAPEMUSIC-directed clip soundtracks the track from Abe’s debut solo LP “Fantasia.”

The collaboration between the NYC emcee and Phoenixville producer is out today via Coalmine Records.

The Philly ska revivalists’ new track arrives ahead of their LP “Nice One,” out August 6.