Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Telehealth, Green World Image
The Seattle band mashes up Millennial malaise with ’80s synthpunk and biting satire on a playful second LP that crowds out the more emotional elements with terminally online irony.
Nara’s Room, Tearless, thoughtless
The Brooklyn band bring more dimension to their sound on a magnetic second record that’s framed by a mix of analog technology and Y2K aesthetics.
Winston Hightower, 100 Acre Wood
The 14 songs featured on the Columbus native’s second album may be as short as the ones on its lo-fi predecessor, but they’re far more fleshed out with catchier and on-point rock music.
Will Schube
The track is featured on ODYSSY’s new album Diamonds & Freaks.
The track is taken from an album of the same name, out in September via 4AD.
Moses Sumney / photo by Adrian Santos
The single is featured on National Geographic’s A Small Light series.
The LA-based rapper discusses sharing his own story on his debut full-length, as well as tapping into the history of West Coast hip-hop.
The final story in our three-part interview series on the future of Quality Control Music focuses on the Milwaukee emcee and her Arkansan labelmate, and includes an exclusive “Neighborhoods” performance from Lakeyah.
The second in our three-part interview series on the future of Quality Control Music hones in on two artists at the center of QC’s global vision, and features exclusive “Neighborhoods” performances from both artists.
The first in a three-part interview series on the future of Quality Control Music—the label that launched Migos, Lil Yachty, Lil Baby, and City Girls—starts at the top with a conversation with the rap-dominating label’s CEO and COO.
billy woods and ELUCID tell us how their recent record with The Alchemist came together, and share a few of their favorite Alc records.
Walker’s latest is a powerful record of prog and jamming and lyrics that are just clever enough to not be silly.
The ensemble’s 7th album is resistance music built off the back of the most difficult year in the modern era.
Florence Shaw’s biting delivery steals the show and elevates the album to great heights.
The Fresh & Onlys vocalist’s latest illustrates why he’s a trusted source for catchy hooks and jangly tunes.
The co-director of the new documentary on the outlaw country icon discusses her film and Clark’s influence on her life.
This deluxe edition offers a nice slew of remixes and demos, but its best function is a reminder of how good TPC was the first time around.
The album functions as a sample pack for aspiring producers, introducing a number of styles that Muggs handles with ease.
Jeremy Earl and Glenn Donaldson construct an effortless cascade of pastoral psych-folk on their debut.
The pair’s second release of 2021 smoothly builds on the chemistry they established on that first tape.
The band talks addiction, recovery, and their hiatus—and how these elements led to their heaviest album to date.
The musician talks grief, her memoir, releasing songs without the pressure of a record press cycle, and her struggle with writing happy tunes.
Yoni Wolf details the impulse and happenstance that informed the band’s fractured new album.
