With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Shura, I Got Too Sad for My Friends
Electro-pop and dreamy grooves are largely replaced with rich ’60s-style folk-pop on the artist’s isolation-inspired third album, wherein self-doubt feels like a secondary character.

Pulp, More
The Sheffield art rock ensemble’s first album in nearly 24 years still maintains their Kinks-y kitchen sink dramatics in opposition to Oasis’ Beatles-like demeanor and Blur’s operatic Who-ness.

Sufjan Stevens, Carrie & Lowell [10th Anniversary Edition]
Padded out with a personal essay, family photos, and outtakes, this re-release of Stevens’ album-length eulogy permits yet another return to the 1980s Oregon of the artist’s memory.
A.D. Amorosi

Banhart walks us through his new exhibit “The Grief I Have Caused You,” which runs through March 20 in LA and virtually.

All the diversity on the oddly alluring neo-psych group’s fourth record doesn’t always make for great intrigue.

These Southern-rubbed and Philly-styled recordings open the vocalist up to a freedom she never experienced before or after.

Hall, Peter Yanowitz, and Matt Katz-Bohen on their new electronic art-rock noise record “Thanks for Coming.”

Between the reissue of his diary and the 2020 releases of his collab with brother Roger Eno and his first collection of film scores, it feels like we’re undergoing another Eno-aissance.

With a recent children’s book, a new single, and an up-coming EP, Raj Haldar proves he’s all in the family.

A deep dive into pop’s rare past with a man who made the journey bold, original, and downright frisky.

Tony Di Blasi and Robbie Chater talk collaboration, efficient songwriting, and David Berman following the release of their third LP.

This rare solo release from the Depeche Mode songwriter is memorably haunting.

The write raw-boned, ruined country anthems of “Strawberry Mansion” make it a neighborhood worth visiting.

These demos and fuller, remixed recordings show off more of the Albert-Ayler-meets-Iggy-Pop thing that Hell and his band probably intended.

Iggy Pop’s last gasp with the original Stooges is hyper-energized and essential listening alongside the official canon.

The glam-punk guitarist has passed away at the age of 69 after a two-year battle with cancer.

The Apple TV+ series and forthcoming feature prove that the director/writer still has many scary tricks up his sleeve.

A colour-enhanced image of English singer and musician David Bowie, exaggerating his heterochromia iridis, 1973. This photo was taken in Paris during a photoshoot for Bowie’s ‘Pin Ups’ album.
Mike Garson, Michael C. Hall, Duran Duran’s Simon Le Bon, and more discuss their multimedia celebrations of Bowie on what would have been his 74th birthday.

12 records we were pleased to see renewed and revamped.

If anything was an enabler of glam pop, it was “Lola.”

JPEGMAFIA keeps it mean while on the major label tip.

The Cornell estate gifts us with 10 subtle covers focused on melodic gems with a soft ensemble as backing.

The filmmaker talks profiling MacGowan, Johnny Depp’s role in the project, and peroxide-haired ’80s punk.