Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Vince Staples, Cry Baby
On his first release away from Def Jam, the emcee spends more time looking outward than inward, peering into a communal politic with more rock to his roll than ever before.
Converge, Hum of Hurt
Released just a few months after the more metal-leaning Love Is Not Enough, the Boston group course-corrects by balancing the scales with hardcore on their second LP of 2026.
horsegiirL, Nature Is Healing
The debut from Berlin-based enigma Stella Stallion is a dance record filled with synths, heavy bass, and the traditional beeps and bloops—yet somehow it also feels organic and alive.
A.D. Amorosi
The reason to invest in Super Deluxe “Soup” is the once-pricey “Brussels Affair” live bootleg.
This lot, quiet or loud, make for an exquisite vision of T. Rex.
The latest from the Lips is a peculiarly placid sound that only this collection of artists seem capable of making.
The Alice Coltrane–gifted pseudonym resurfaced for a third record, released last Friday.
RSD’s pandemic-necessitated three-part event kicks off this weekend—we talked to co-creator Michael Kurtz about what to expect, as well as preview twelve releases we’re excited for.
The record’s touching maturity doesn’t always jive with the wonton ways of its flaming musicality.
Ernest Green discusses his new album “Purple Noon,” the French film that inspired it, and his newfound love for collaboration.
The 1970 set captures the band in full, frenetic death swoon.
Both new projects pull the curtain back on missed moments, eras of Cash once considered minor.
With the new Lightfoot doc premiering today, we revisit a conversation we had with the legendary songwriter earlier this year upon the release of his 21st album.
The co-founder of Talking Heads and Tom Tom Club speaks gleefully in his memoir, out today.
“Beyond the Pale” feels tight, tense, yet free, with pasty Cocker as the broodingly bittersweet centerpiece.
This Nelson isn’t bleak, but he sure comes close to it.
Remembering the iconic Italian film composer, who died this week at 91.
The singer/songwriter on love and politics, mom and dad, and his frank new album, Unfollow the Rules.
The R&B star’s lengthy new record is rife with positivist, lush, classic R&B with a ’90s revisionist twist.
The trio’s third LP sticks to piledriving and fluid rhythms while stoking their flames of melody like never before.
Dylan once again reinvents himself for his first album of original songs since 2012.
Solitude, mortality, and ascendancy make “All Things Being Equal” an unearthly delight.
Together, Bowie and Pop all but forged a raw, sketchy, true alternative sound.
