Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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The LA group’s debut is an extremely stylish backdrop with no magnetic centerpiece, a fascinating—and even useful—snapshot of indie rock’s current preoccupations.
Fat Dog, Cancel Me (I’m Tired)
Still in their puppy years, the London dance-punk experimentalists’ second LP reflects our world at a time when chaos reigns and no one seems to be bothering to snap a leash onto its collar.
Bob Dylan, The Rolling Thunder Revue: The 1976 Live Recordings
Capturing 22 different shows on the titular mid-’70s tour, each torrid, angst-ridden live take on this 39-disc collection sounds more manically driven than the gig before it.
Carlos Aguilar
GENTEFIED
The product of their parents’ courage to endure the perils and sorrow of leaving a homeland behind, storytellers Lemus and Chávez navigate the ever-treacherous American entertainment industry with a responsibility-laden compass.
Boys State
Directors Jesse Moss and Amanda McBaine and subjects Steven Garza and René Otero reflect on the new doc about the American Legion’s Boys State program.
The new film starring Kate Lyn Sheil is now streaming.
The young Irish actor dissects Hulu’s new series based on the Sally Rooney novel.
The star of Céline Sciamma’s smoldering queer romance details her experience on set.
On her first soundtracking experience, decolonizing art, and why an electronic film score is so unique.
The actor talks the power of language, performing addiction, and his forty-year-long creative partnership.
Alfonso Cuarón’s follow-up to “Gravity” is Netflix’s first big play for Best Picture. Its star had never acted before.
