Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Of Montreal, Aethermead
Kevin Barnes rallies something bracingly emotional on their 20th album in 30 years, sounding more crisply, contagiously, singularly psychedelic than they have in ages.
Olivia Rodrigo, You Seem Pretty Sad for a Girl So in Love
Teetering between the influences of ’80s new wave and ’90s alt-rock, the pop star’s third album is a journey from jubilant lovesickness to a fatalistic collapse into romantic decay.
Goose, Big Modern!
At once their most even-keeled and explosively hook-crowded album yet, the jam-grinding ensemble’s latest is a stretch toward something uniquely slick and end-timey.
Carlos Aguilar
GENTEFIED
The product of their parents’ courage to endure the perils and sorrow of leaving a homeland behind, storytellers Lemus and Chávez navigate the ever-treacherous American entertainment industry with a responsibility-laden compass.
Boys State
Directors Jesse Moss and Amanda McBaine and subjects Steven Garza and René Otero reflect on the new doc about the American Legion’s Boys State program.
The new film starring Kate Lyn Sheil is now streaming.
The young Irish actor dissects Hulu’s new series based on the Sally Rooney novel.
The star of Céline Sciamma’s smoldering queer romance details her experience on set.
On her first soundtracking experience, decolonizing art, and why an electronic film score is so unique.
The actor talks the power of language, performing addiction, and his forty-year-long creative partnership.
Alfonso Cuarón’s follow-up to “Gravity” is Netflix’s first big play for Best Picture. Its star had never acted before.
