Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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The LA group’s debut is an extremely stylish backdrop with no magnetic centerpiece, a fascinating—and even useful—snapshot of indie rock’s current preoccupations.
Fat Dog, Cancel Me (I’m Tired)
Still in their puppy years, the London dance-punk experimentalists’ second LP reflects our world at a time when chaos reigns and no one seems to be bothering to snap a leash onto its collar.
Bob Dylan, The Rolling Thunder Revue: The 1976 Live Recordings
Capturing 22 different shows on the titular mid-’70s tour, each torrid, angst-ridden live take on this 39-disc collection sounds more manically driven than the gig before it.
FLOOD Staff
Ryan Kaiser performs two songs from his new LP Simpleton at his home studio in LA.
The Gelliverse landed in Chicago this past weekend with support from Big Sis.
The songwriter plays an acoustic version of “shape of my heart” from his recently released LP up above.
All proceeds will support our FLOOD/Anthemic family member’s fight against stage-four pancreatic cancer.
Returning earlier this month with his first solo album in a decade, the electroclash artist spins a selection of overlooked tracks from his own discography.
The LA dream-pop duo documents their Coachella debut on the Sonora stage.
The frequent collaborators are in the midst of a North American co-headlining tour.
Maria Crawford plays an acoustic version of “Body” on a gloomy day in NYC.
The English songwriter brings us along for her Cruel World release-day set on the Gobi stage of the Empire Polo Club grounds.
Ryan Kaiser spins tracks by Blondie, The Meters, Half Japanese, and more after releasing his latest record, Simpleton, last week.
Scenes from Austin and San Antonio as the LA-based songwriter continues her US tour with The Happy Fits.
The Italian dance duo takes us behind the scenes of their first weekend in the desert playing at the Sonora tent.
Nine Inch Noize, PinkPantheress, Geese, Ethel Cain, Jack White, Die Spitz, and much more from the 25th edition of the annual festival on the Empire Polo Club grounds.
The Brooklyn-based artist plays “Water-Lily Bloom” from her newly released album STORIES.
The songwriter was joined by her partner Christian Lee Hutson in Brooklyn over the weekend for an intimate set teasing her forthcoming record Maitreya Corso.
This year’s fest will feature performances from The Strokes, The xx, FKA twigs, Nine Inch Noize, Ethel Cain, Geese, Turnstile, and dozens more.
The LA-based songwriter plays “Story’s End” from her first new album in seven years on the roof of her garage.
Jack Whitescarver debuted his band’s experimental noise-rock record Amiture Music at Bed-Stuy’s unconventional new palazzo-brownstone venue.
The “Body High Tour” in support of 2025’s EUSEXUA and EUSEXUA Afterglow albums hit Seattle this past week.
The British pop star brought her “This Tour May Contain New Music” North American run to Seattle this week.
