Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Joyce Manor, I Used to Go to This Bar
The Torrance punks’ seventh album sees the trio firing on all cylinders with their signature punchy hooks and catchy choruses culminating in 19 minutes of sheer pop-punk glory.
Searows, Death in the Business of Whaling
Alec Duckart’s nautically themed second album infuses its emotionally fragile indie-folk with a trudging heaviness that pushes toward doom-metal territory.
Camper, Campilation
Flush with a historic list of Black voices both past and present, the producer’s debut album sees him devise yet another way to remake the wheel of soul.
Jane Lai
The Chicago-based songwriter’s debut collection of songs pair perfectly like ginger and garlic in oil, stewing a culmination of flavors that emerge.
Samia maintains a distinct harmonization and strong narratives which lend themselves to the release’s biggest highlights.
Alex Montenegro’s soft pop with a smidge of twang is a refreshing fusion of genres that proves the artist’s malleability.
Madeline Johnston’s third album explores what it means to be lonely and loud simultaneously within a world crumbling around us.
2nd Grade adds new twists and turns to their 2018 debut while maintaining their sincere and fun power-pop packaging.
The band’s sophomore album balances a pop-punk grit with the complication of heartbreak.
The NY duo succeeds at revamping overworked pop songs by accenting a spin of straight-from-the-heart sincerity.
The group’s remastered 2011 LP arrives with 4 bonus tracks, new artwork, and plenty of nostalgia.
The Philly punks’ latest resurrects simmering ’90s punk on their five-track EP, which covers plenty of ground.
Mia Joy Rocha’s debut set of dirges sprinkled with honeyed lullabies are sure to drop you into an unexpected dreamscape.
